One Piece Season 2 Review

Everyone, would you do me the honors and come sail with me to the Grand Line in search of the One Piece?

Three years ago, Netflix managed to do what many, myself included, thought impossible: made a live-action version of One Piece that was actually good. For that matter, making a live-action adaptation of an anime that was good, period. How did they do this? To paraphrase Honest Trailers, “by changing absolutely nothing, no matter ridiculous it may seem.” That, and Eichiro Oda made sure the streaming giant didn’t wreck his life’s work. The bottom line is that Netflix’s One Piece was better than anyone thought possible. People who had never gotten into the series got to give it a try, and the people who had stuck with it for years got to fall in love with it all over again. But the thing about the first season is that it was just a warm-up. The second season is when the show would really show whether or not if it could live up to the legendary anime and manga.

After spending the entirety of my weekend binging the series, I can confidently assert that, once again, One Piece knows what it’s doing. Thank you, Eichiro D. (G)oda!

One Piece is Back

The first season of One Piece was an abridged retelling of the first part of the story of Monkey D. Luffy and his crew. How he met and assembled the pirates that initially made up the Straw Hat Pirates, got their first ship, and became the toughest pirates in their native East Blue. After that, it’s off to the Grand Line to find the One Piece…with one last stop.

For reasons I cannot understand, some fans were convinced that Netflix was going to skip the Loguetown Arc, the last portion of the opening saga of the series. I knew that they weren’t going to do that, though! That would bring up too many plot holes in the future! I still found it funny, though, when the show had Nami cheekily say “and you thought we were gonna skip Loguetown.” The writers know the fans so well!

As for the Loguetown Arc itself, it’s only the first episode of the season, so it has to condense a lot of material. That includes adding in a certain character who sees what Luffy does in Loguetown and becomes an important ally much later in the story. That’s the benefit of the Netflix series, though. Having almost three decades of extra lore and knowing who and what will be important means they can add a lot of stuff that Oda didn’t add when writing the story.

Who Cares Who Plays the Characters?

Case in point, we got to see Luffy sing Oda’s original song, Binks Brew, to a giant whale. And we got to see a flashback to Brook, his future crewmember, back when he wasn’t a talking skeleton. For some reason, though, people seemed surprised to have him played by a Black man. Me? I just shrugged my shoulders and didn’t care. The Straw Hats were already supposed to be a multi-national crew, so why does it matter?

Speaking of which, I need to bring up the elephant in the room: Princess Vivi, who joins the cast as one of the main characters this season. Last year, a lot of people were in an uproar about who was cast to play the Princess of Alabasta: Charithra Chandran, a British-Indian actress. Haters thought that it was Netflix trying to enforce diversity onto the show. However, that is not true. Not only did Oda base Alabasta on Middle Eastern and Indian cultures, but he personally chose Charithra to play Vivi. And in that regard, I think Charithra excelled. She starts off as the menacing Miss Wednesday, but once she abandons that, she’s the same kind, compassionate, and caring princess I remember watching in the trenches from the 4Kids days. So all those people owe her an apology.

It Gets Crazier from Here

Now, the real test of this season was how accurately it could capture the story going forward, as the first season was just a warm-up. Once the story moves from the East Blue to the Grand Line, realism starts to take a backseat as Oda started to incorporate the more fantastical elements to the world he created. Whales big enough to swallow ships; islands that need special compasses to navigate to them; every location varying in climate, culture, and wildlife. The halfway point of the season alone takes us to an island populated by dinosaurs! And that’s not even getting into all the new powers!

In the first season, the only two characters who had the powers of a Devil Fruit were Luffy and Buggy. That changes in the Grand Line, as almost every location the Straw Hats visit and many of the foes they face have Devil Fruit powers. From a guy turning his boogers into explosives to a creep who can create candle wax, the powers are only going to get crazier from here on out. And some of the ancillary characters that survive in the manga bite it here.

I’m not kidding. If you thought Mihawk killing Don Krieg was surprising, wait until you see how many of the bad guys end up dying once their roles are fulfilled. At least they go out in style, though.

Which brings me to another great aspect of the show: the combat.

Remember how Zoro cut down 100 Bounty Hunters?

Given how fantastical One Piece is, the fights tend to be absolutely insane. So adapting them for live action was always going to be a big concern. The first season showed that it could do it, but like everything else, season two is where the series really has to step up. To make a long story short, it does, and while I could give plenty of examples, my favorite has to be Zoro’s legendary 1v100 bar brawl. They could’ve skimped on it, but Netflix didn’t. Mackenyu gave us twelve minutes of Zoro annihilating everyone in his path, and it is glorious. I have no idea how long it took to film all that, but considering how he did his own stunts, that must have been a crazy workout! Respect to him and the rest of the cast for all that they did.

Speaking of the cast, though, we need to talk about my favorite part of the season: Drum Island.

Drum Island Still Made me Cry

I started my One Piece journey right around the tail-end of the Drum Island arc that introduced us to the series mascot, the ever-adorable, floofy Chopper. I spent the better part of my time watching reruns on Cartoon Network to get caught up. And when I got to the Drum Island Arc…man, it stuck with me.

If you know One Piece, then you know that a lot of the characters have very, very sad backstories. But for ten-year-old me, Chopper’s backstory had to be the saddest. Ostracized by his fellow reindeer, considered a monster by humans (why, though? He’s so cute!) And losing his father figure, Hiruluk? Even with all the censoring that 4Kids did for the dub they never wanted, I knew that Hiruluk blew himself up! That was hard to watch as a kid, and the Netflix series managed to make it every bit as heart-breaking to watch as an adult. In other words, I LOVED IT! And I loved Chopper.

Don’t get me wrong: at times Chopper’s CGI model could be cringe to look at, especially his human-bruiser form. And I do wish that they had just gotten Brina Palencia to voice him like she does in the dub, as it took me a while to get used to his voice actor. I’m not even sure if I really got used to him by the time the season ended! But I knew going in that the show was going to be fighting an uphill bringing Chopper into live-action. All things considered, I think that they did a decent job. It could’ve been far, far worse than what we got. Plus, the climax of the entire season was absolutely incredible. Something that we didn’t get to see in the anime, and still managed to be awesome.

I Give Netflix’s One Piece another 3 Seasons, tops

So, did One Piece manage to hit the mark once again? Yes. Is it a perfect adaptation? No, but is anything really perfect in this world? Are some of the changes for the better? I can’t be the one to decide that. Am I going to watch it again in Japanese? ABSOLUTELY. But where do we go from here?

Well, the next season is going to cover the arc where I actually stepped into the world of One Piece, the Alabasta Arc. And given how big that arc was, and how it marked the start of several major formulas for the series going forward, I think it’s safe to say that it will be the sole focus of the entire season. Which is fine by me, because I’m well aware that there’s no way Netflix can adapt the entire anime into live-action. At some point it will take too long, cost too much money, the actors will get too old to reasonably play the roles, and frankly, I don’t think the technology exists to capture the franchise in its latter stages. My guess is that it will run to the end of the Water Seven Saga, if we’re lucky! But regardless of how long it lasts, I intend to enjoy it all. My only wish is that the third season will switch to a weekly release date. This way we can fully enjoy everything as it comes out. Please, Netflix? Give this to us!

Verdict: WATCH IT!!