Ever since he got separated from them by bandits, all Arthur has wanted is to return to his family. His stay with Sylvia helped him get ready for the journey, and his detour to help Tessia get home to her own family had slowed him down. That selfless act, though, might have paid off by giving him his best chance to get back to his parents, only for him to learn that that might have to wait. Whatever power Sylvia gave him, his body can’t handle it yet. So, he either stays in the land of the elves, who aren’t too welcoming of him, and trains, or takes his chances by going home and potentially dying.
At least he has a friend in Tessia, though.
When Your Daughter Brings Home a Boy
As the last episode managed to establish, Elves are not too fond of Humans. Given how the events that led to Arthur meeting Tess involved her being captured by slavers, the feeling is not unwarranted and likely mutual on Humans part. So, despite being happy that Arthur saved their only daughter, the King and Queen of the elves aren’t happy that her grandfather wants to take him in as his apprentice. Doing so would mean that A.) a human would be living in the home of the elven royal family for an extended period, and b.) that human is also a boy Tessia’s age.
Anyone who has ever had a daughter will likely sympathize with what Tessia’s father is feeling. His little girl is only five, and she’s already bought a strange boy him. Worse, if he tries to throw him out, Tessia will hate him, making it a lose-lose situation.
Jokes aside, a big part of this episode focuses how important her friendship with Arthur is to Tessia. It’s all but stated that Arthur had no friends in his first life, so Tess is likely the first friend he’s had since he was young. Tessia, on the other hand, has only ever had “friends” who just wanted to take advantage of her princess status. That led her to close herself off to anyone outside her family, hence why she can act so aggressive at times. As her grandfather notes, having Arthur around has made her happier than she’s been in years.
This will be Tough for Arthur, but he will be Fine
Unfortunately for Arthur, the majority of the Elves don’t extend that sentiment. As soon as Tess takes him out to play, he’s accosted by a snooty elf who looks down on him. Thankfully, he shows that he’s not to be messed with in short order.
The more important thing about this episode is that Virion introduces to his friend Xinia, who uses her magic to let Arthur contact his parents. Thanks to that, he’s able to let his grief-stricken parents know he’s alive, but that he can’t come home yet. With that out of the way, though, he’s free to work on fixing his inner power. Which means it’s time for him to undergo his first training arc.
And with that, the first (webcomic) season of The Beginning After the End comes to a conclusion. It was a little rocky at first due to the animation, but once you get past that, the series does have its own rough charm to it. Next time we see Arthur, though, he’ll be bigger and stronger and likely closer to Tessia than ever! Here’s hoping that the animation improves some more!
Arthur get to talk to his parents to let them know he’s okay and is starting to fit in the elf kingdom with Tessia. We also got 3 year time skip. pic.twitter.com/r9xFqLWmjm
If you stick with something for long enough, there’s a chance it might end up being better than how it started. If that’s true, then maybe TBATE is finally starting to get better. With the post-credits scene from the last episode ending with Arthur being held at sword point by the Elves of Tessia’s homeland, things did not look good. It looked as though Arthur might be in even more trouble, with Tessa seemingly indifferent to his plight. What makes things more surprising, though, is how this is actually a step up from what happened in the webcomic!
For the first time, the TBATE anime has one-upped its source material.
What Happened in the Webcomic
In the original webcomic, Arthur and Tessia’s arrival in the Elven city is far more lighthearted in tone. The reaction Arthur has when learning that Tessia is the Princess of the Elf Kingdom is more comedic and the attitude of the other Elves is more respectful. Whatever suspicions they had, the fact that Arthur returned with Tessia safe and sound warrants a little courtesy.
By contrast, the sight of the Elves outright attempting to arrest or kill Arthur could be seen as an improvement on the source material. Not only do the adults’ hostile attitudes increase the tension, but they also drive home just how deeply distrustful the Elves are of Humans for things like slavery. Thankfully, once Tess snaps out of whatever trance she was in, the sweet girl is Arthur’s biggest defender. The sight of her innocently taking Arthur home with her without any prejudice is the kind of thing we should all want to see our kids do.
The original webcomic is already good, but this was probably the first time the anime managed to improve upon things. As funny as Arthur’s reaction to learning his new friend is royalty (and he chews her out over it later), the anime’s decision to have Arthur’s life depend on his ability to talk things through feels more realistic and dramatic.
This episode really helps to hammer home the idea that TBATE seems to be at its best when it’s not focused on the fighting. Instead, the character interactions and the resulting drama help to keep people interested despite not looking as good as other anime. Case in point, when Tessia’s grandfather, the former King Virion, takes an interest in Arthur, he invites him to scrap together. The resulting fight once again shows the series’ criticized “PowerPoint fights,” as the fight isn’t that impressive. That being said, the show does make an effort to include some actual animation.
The fight isn’t really what’s important, though. What is truly important is what happens afterward. The reveal of the cause behind Arthur’s increasing chest pains, as well as the fact that they will eventually kill him if left unchecked, is handled well by the anime. As is Virion’s offer to train Arthur as his apprentice. The alternative, though, is what will eventually happen if Arthur doesn’t get help for his chest pains: they’re the result of Sylvia giving him some of her power. And since his body can’t handle it yet, he’ll die if nothing is done.
With Arthur’s plans on returning to his family now on hold for the time being, the show looks set to settle into the land of the Elves for a few episodes. Here’s hoping that things improve for the anime’s sake, or it’s not going to last past the first season.
Despite the heavy criticism it has received in its native West, The Beginning After the End is being well-received overseas. Various pieces of data indicate it’s been fairly popular in Japan, while the series itself has a high number of five-star ratings on Crunchyroll.
TBATE Anime is a success in Japan 🇯🇵
Even if occidental public is hating the anime, TBATE is in every important top 10 in Japan, including: Netflix, Hulu, U-Next, D-Anime Store, TVer and others… #TBATEpic.twitter.com/rlv9akDscY
While it might have gotten off to a rough start, TBATE has started to show some slow improvement in the last episode as Arthur met, befriended, and was trained by a mysterious dragon named Sylvia. However, their time together got cut short for reasons that likely won’t be made clear in this season, leaving him on his own once more. However, his quest to reunite with his family leads him to make an unexpected detour, as well as make his first real friend in his second life.
Arthur Goes Assassin’s Creed
As seems to be the case, there was a moment from the manwha that was left out of the anime at the start of the episode. Arthur cries in frustration as the realization that Sylvia’s dead hits him, only to be snapped out of it by a pre-recorded message from her. In it, she explains that she imparted part of her “will” to him, but he can’t use it until he grows stronger. This will become an important plot point going forward, but the immediate ramifications are that Arthur’s mana core will soon start to flare up in pain.
Beyond that, though, what happens next with Arthur and the slave traders is nowhere near as bad as it gets in the web comic. The slavers actually bind and gag the poor girl they captured, and the fact that they don’t do that doesn’t make much sense here. The whole point to that is to ensure the captive can’t escape, making the slavers feel like amateurs. Regardless, the way Arthur kills them is just as ruthless as it is in the comics.
After that, though, Arthur manages to make a new friend. And she’s an elf girl.
This is Tessia, and given how TBATE takes pages from Mushoku Tensei, it should come as no surprise that she takes inspiration from several girls in that series. Her physical appearance, status as an elf, and initial timid personality all scream Sylphie. However, once she starts to open up to Arthur, she starts to display some of Eris’ more fiery and confrontational nature. Thankfully, she’s not violent like Eris is, only going so far as get snippy with Arthur when he’s making fun of her.
The two of them make for a rather odd pairing, especially given how Arthur is mentally an adult. Still, it feels nice to see Arthur being able to have a friend his own age, something that the anime all but states he never really had by the time he died. The anime does leave out a few of the more comedic aspects of their journey together, but the overall bonding and sentiment remain present right up to when they make it to the outskirts of Tess’ home.
Don’t Worry: Arthur Will be Fine
Full disclosure: that post-credits scene was not present in the web comic. It appears that the series might be going in a more serious direction to amp up the drama, or at least leave viewers in suspense about what comes next. Those who read the web comic should also be surprised by what happened, and now have something to look forward to next episode. It feels like TBATE might be on the mend, and hopefully, if we stick around long enough, something good might come out of it.
In my time on this blog, you have heard me mention something called “The Seven Summits of Isekai.” Putting it simply, it’s a term I use for what I consider to be the titans of the isekai genre. The series that put in the legwork to make the worlds the protagonists get summoned and/or reborn into feel real. In other words, the good stuff that stands mountains above the usual isekai fare. Mushoku Tensei is among those seven, and, after reading over the webcomic, I was looking forward to adding its spiritual younger brother, The Beginning After the End, to the group. However, after seeing the first episode, I may need to rethink its membership.
For those who haven’t already, I highly recommend you head over and read my initial overview of the series, as it does a good job of explaining the basic premise. This way, I can dive in, review the first episode, and explain why TBATE is going to be fighting an uphill battle.
A Small Divergence from Mushoku Tensei
Over the years, TBATE has been accused of being too similar to the likes of Mushoku Tensei, and its detractors aren’t wrong. As the first episode deals with King Grey’s death in his first life and the beginning of his new life as Arthur, it copies a lot from the start of Mushoku Tensei. Like Rudeus before him, Arthur milks his time as a baby for all its worth to help give himself an early advantage in life. Which eventually leads to both of them revealing their apparent genius in the most explosive way possible.
While it may seem like this is a word-for-word copy of the moment when Rudy blew a hole in his childhood home. However, there’s one major difference between him and Arthur that changes how things play out: their reactions. Unlike Rudy, who was never in any real danger afterwards, Arthur almost dies thanks to some falling debris, only for his dad to save him. It was this experience that finally made the former king-turned-baby realize something that Rudy wouldn’t fully understand until he was an adult: Alice and Reynolds are his parents. They love him, and he loves them, and this realization leads to all them having this very heartwarming moment together. The kind of moment that Rudeus wishes he could have had with his own family before he left Buena Village. It’s very sweet to see…
Is what I would say. Except there’s one problem with this anime that’s so bad, even I notice it: the animation.
The animation…is trash
There’s no easy way to say this about The Beginning After the End: the animation is trash.
I normally don’t put that much attention onto the animation quality for a series, as I usually care more about the storytelling. It allows me to overlook moments that may not have the best animation in order to enjoy the story to its fullest. However, when the animation quality is so bad that even I notice it, then there’s something very wrong.
Everything about the animation in the first episode only serves to fuel the allegations that TBATE is a cheap knock-off of Mushoku Tensei. That, in turn, will only harm its reputation in the long run. I know how stressful the the anime industry can be, but the people behind this should at least have some level of standard that they’re trying to uphold. Mushoku Tensei was able to get an entire studio founded just so it could succeed in being the best, so why can’t TBATE?
I have become a fan of The Beginning After the End, but it’s seeing the anime in action that makes me question whether this will be worth watching or not. This might be a rare instance in which the webcomic or manga might be better than the anime, and that’s not something that I like to see take place. That being said, I’m going to keep reviewing the anime anyway. If we’re lucky, the story will help to offset the poor animation long enough for it to gain traction. Until then, though…
A month ago, Aaron and I were talking on Discord about the then-upcoming spring 2025 season of anime. Somewhere in the conversation, he brought up an upcoming isekai anime that, he claimed, could be bigger than Solo Leveling. It was called The Beginning After the End, and it was something that I had vaguely recalled hearing about. Despite being skeptical about his claims, they still intrigued me. Thus, I found myself jumping online and binge-reading through the webcomic that the anime would be adapting. Within a few days, I had read through the majority of the chapters currently out. And, while I still remain skeptical about its ability to be better than Solo Leveling, I do think The Beginning After the End is a good read.
A Western Isekai
Firstly, let us clarify some things: while The Beginning After the End, or TBATE, has gotten an anime adaptation, it doesn’t originate from Japan. In fact, its author, who goes by the moniker TurtleMe, is American. He’s been writing the ongoing TBATE web novel since 2017, with the webcomic coming a year later. If you want to check out the latest chapters, find them on Tapas, or join his Patreon for early access.
As its name suggests, The Beginning After the End is an isekai, and it begins with an essential moment in the protagonist’s life: his death. The protagonist, Grey, was a man who had risen to become the King of his nation on a potential future version of Earth. However, his life was miserable, with his status as King depriving him of any family or friends. Worse, it gets cut short in his mid-thirties by a death so sudden, not even he knows why he died. Being an isekai, his death only means he gets reincarnated into another world filled with swords and magic. While initially unhappy with being a baby in such a medieval setting, Grey, now going by Arthur Leywin, soon sees the second chance he’s been given. Thus, he resolves to make sure his new life is everything that his old one isn’t. IE, one filled with warmth and kindness and surrounded by the friends and family he never really had his first time around.
This is Not Like Rudeus…mostly.
If the synopsis sounds similar to Mushoku Tensei: Jobless Reincarnation, there’s a good reason. In an interview with IGN, TurtleMe said that Mushoku Tensei was one of the biggest inspirations behind The Beginning After the End. Both center around a protagonist who had an unhappy first life before suffering from a premature death. Both are reborn as babies to loving parents in a world dominated by the use of magic and medieval technology. And both use their prior knowledge to help them get ahead in life in order to ensure they live their new lives to the fullest. While some may see this as TurtleMe merely copying Mushoku Tensei’s formula, there are several differences that become apparent as time passes.
Firstly, while they both had similarly unhappy lives and premature deaths, Arthur is radically different from Rudeus. Rudeus had plenty of chances to better himself and open up to others in his first life and wasted them. While Grey also chose to cut himself off from others past a certain point, it was so he couldn’t be manipulated by others once he became king, leaving him little choice in the matter. In addition, there’s how both see their families in their new lives. Rudeus never considered Paul and Zenith his parents until after Paul’s death, something he regrets. In contrast, Arthur initially keeps his distance due to not knowing what familial love is due to being an orphan in his first life. Once he understands the feeling, though, he doesn’t hesitate to consider Alice and Reynolds his mom and dad and becomes fiercely protective of them.
Secondly, while their plots start off similiarly, past a certain point, TBATE diverges from Mushoku Tensei. While Mushoku Tensei will come to encompass this grand plot involving the future for the world, it remains largely focused on the life of Rudeus and his growing family. In contrast, Arthur begins to find himself involved in a conflict that’s bigger than he ever thought possible. The kind of conflict that has the potential to end the world if things go bad. Rudeus will go on to fight great battles in the future, but none will be on the scale of what Arthur and his allies will come to face.
Lastly, and this is the most important part, is the fact that Arthur is nowhere near as flawed as Rudeus was starting out. In other words, Arthur is not as h**ny as Rudeus can be. In fact, that can apply to the entire world of TBATE. They’re nowhere near down bad as Rudeus’ new world is!
There’s Always the Web Novel and Comic
I can’t reveal anything further regarding the plot of TBATE without spoiling things. However, while the anime might not be as good as it could be, I do still think that the webcomic is worth the read. If you want to give it a shot yourself, then I highly recommend going to TAPAS and helping to support TurtleMe. He’s also got a patreon where he releases chapters of the web novel early. I might end up supporting him myself if it means he can keep making this story.
And that’s a wrap, people! After three months, twelve episodes, and a ton of shout-outs to great anime and the people who made them, Zenshu is over!And what an ending it was! At the end of the last episode, it looked as though Kametaro’s horrendously depressing ending was going to come true. In his grief over the loss of Natsuko, Luke had destroyed the final Soul Future, heralding the arrival of the Ultimate Void. Yet, there’s something that that old bag of a director never understood about humanity: that no matter how bad things may get for us, we keep looking for a light in the dark. In this case, that light’s name is Natsuko Hirose.
Don’t put too much stock into Destiny
Picking up where the previous episode left off, the transformation of Luke into the Ultimate Void helps us to understand why the mindless monsters are called Voids. In a nutshell, they’re the personification of the despair that people can hit when they begin to think that nothing they do matters. It’s something that everyone will experience at some point in their lives, and they’re left with two options. They can either give into despair like Luke, or they can do what Natsuko does: roll up their sleeves and tell despair to shove it. And does Natsuko tell despair and hopelessness to shove it.
#ZENSHU Ep 12, "Goodbye, Luke…I'll love you forever."😭PURE CINEMA!!🔥🔥Natsuko finally abled to change Luke's fate. She made her movie based on her first love with Luke. HOLY SHIT!! They are in the Real World!! It is a story about finding your true self and Love. #全修pic.twitter.com/kMfsK6rmQ2
Even as the entire world begins to fall to pieces and everyone gets the Thanos dusting treatment, Natsuko refuses to give up. She draws harder than she’s ever drawn anything before. She draws an army of Lukes and throws them at the personification of hopelessness and despair. There’s probably some sort of deeper meaning behind it, but it’s hard to find over the sheer amount of awesome animation.
Despite being the last one standing, Natsuko gets some unexpected aid from someone she thought was gone for good: QJ! Memeln and her friends gathered the fragments of his body and rebuilt him just in time for him to come to Natsuko’s aid. And together, the two of them manage to do the impossible. They change the ending of the story.
Not the first time I’ve seen a world remade
Some people might complain about how Natsuko effectively rebuilt the entire world into one where the Voids no longer exist. They may take Kametaro’s side and say that it’s a lame cop-out that makes no sense. I, on the other hand, think that it’s the right kind of deus ex machina. Then again, this isn’t the first time I’ve seen a protagonist recreate the world from nothing, nor will it be the last.
Sadly, the happy ending is mired by the fact that Natsuko returns to her world, with Luke vowing to come find her, somehow. No explanation as to how the film was capable of creating an alternate world given, nor any explanation as to why Natsuko got summoned to it or got her powers. Nor do we get a chance to see Luke and Natsuko kiss. In fact, the only proof that this wasn’t a dream brought on by a near-death experience is that Natsuko kept Unio’s horn as a hairpin.
That being said, this is still a monumentally better ending than what A Tale of Perishing was in the film version.
Debunked dream theories aside, I was right about this whole experience changing Natsuko for the better. The ending has her adopt a more open nature towards her coworkers, symbolized by the fact that she no longer hides her face behind her hair. And because she’s learned how to work in a team, her rom-com film becomes a massive success. However, the ending leaves things ambiguous regarding whether or not Luke finds his way to her world, which is a little frustrating. But not enough to take away from the fact that this was a good ending. A bit cliche, maybe, but still a good ending!
And with that, Zenshu has come to an end. It may have had its ups and downs at times, but as whole, it was one of the great shows of 2025. You can tell that Studio Mappa put a lot of love into this original creation of theirs. It pays tribute to the Isekai genre in a unique way. It pays tribute to the people who make anime possible. Most importantly, though, it shows a great deal of respect for the fans that drive entertainment forward and how they can find ways to improve on what has come before. In this case, that means taking a terrible ending by a woman who didn’t know what she was doing and make it into an uplifting story about first love and daring to hope in the face of impossible odds.
Also, it proves that sometimes the fans can do a better job than the creators!
It was a joy to direct the dub of this beautiful story—about finding love in the form of the art that inspires us—and a dream to tell that story with a cast & crew who inspired me every day.
Interesting thing about me: there is only so much sadness that I can handle. That’s true for everyone, but I have a harder time than others handling sad moments due to how my brain works. So, when faced with a story that veers into the realm of overwhelmingly depressing, my mind reacts in the only way it can: it waits. It waits for things to get better before it lets me go back to something. In the case of Zenshu, the ending to the last episode, coupled with the spoilers for this one, made me do just that. Otherwise, I would’ve plunged into despair like Natsuko does as the story goes from correcting itself to over-correcting.
Rock. Bottom
QJ is dead, to begin with, and the entire Last Town is nearing rock bottom. People have been forced to flee from their homes as refugees, and Luke is pushing himself to his breaking point once more. Except, unlike before, he does not have Natsuko to save him, because she’s handling QJ’s death even worse.
In a nutshell, this entire episode can be summed as Natsuko being pushed further and further into despair. She blames her hesitation for making QJ sacrifice himself. She blames her drawings for being used as fuel for the Voids. And to make matters worse, Elder Baobab drops a big bombshell about the prophecy of the Nine Soldiers: it’s a lie. It was something someone made up to give people hope that they could survive the end of the world. Whoever came up with that prophecy wanted to give people hope against impossible odds, but they didn’t believe it would come true.
This is Barbaric Overkill
There was probably some big, Game of Thrones-type lesson that Kametaro wanted to teach people when she created this story. However, it’s beyond me. Prophecies can wind up being hit or miss in fiction, so that doesn’t help things. What makes things worse, though, is how the world of the story begins to overstep its bounds trying to correct itself. Firstly, Destiny tells Natsuko that she’s going to marry the Chairman after all. Then, out of nowhere, the townsfolk start believing that Natsuko is a traitor because her drawings turn into Voids. The craziest part, though, is the fact that the Void Cult returns and starts saying Natsuko is their antichrist.
No matter how you slice it, whatever the world is doing to make things turn out like this is overkill! Natsuko herself recognizes this as an angry mob tries to kill her right as more Voids attack. However, I think the fact that things start turning out this way is the whole point. The story is trying so hard to get “back on track” that it’s made things far worse. The most sinister aspect of this railroading, though, is what it does for Natsuko. It effectively has her take Destiny’s place in the story as the one whose death will send Luke over the edge.
This is Why I Waited
This is why I had to wait until the next episode to review this. If I hadn’t done that, I would’ve spent the entire week driving myself crazy over what happens next! It’s chaos, plain and simple!
Firstly, I would like to apologize for how long this review took to get out. I got so busy that I wasn’t able to keep up with watching Zenshu until there were already multiple episodes out. Thus, I wrote the reviews for the next four episodes at the same time so I could be caught up in time for the finale. Which will likely already be on Crunchyroll by the time this goes out. I am sorry for that.
That being said, my belief that things would begin to pick up in the second half of Zenshu was valid. Natsuko has gotten to the point where she’s content with her life in World of Perishing. More importantly, though, she’s starting to understand the importance of teamwork and opening yourself up to others. Unfortunately, she still has no idea how to deal with things like love and romance, which is about to become a big problem for her. In addition, she also learns that the mystery bird that’s been stalking her doesn’t have good intentions for this world.
That Dumb Bird!
Over several episodes, Natsuko’s been harassed by this mysterious, talking bird that keeps saying her efforts are “no use.” At the end of my review of the last episode, I speculated that the bird was an in-universe avatar for the creator of A Tale of Perishing, Kametaro Tsuruyama. It turns out that I was close: the bird is the late director herself.
Public speakers were right: you should never meet your heroes or those you admire from the same industry you're in. They turn out to be the opposite of what you think they are.
Like Natsuko, Kametaro Tsuruyama died back in Japan (from eating bad clams, no less) only to find herself in the world of her creation. Whereas Natsuko gained the power to alter the original story, though, it’s unclear what powers Kametaro got, if she got any. Nor is it made clear what force allowed both women to reincarnate in the World of Perishing. However, once Natsuko manages to corner her (and finish gushing over meeting her hero), one thing is made clear: Kametaro isn’t happy about Natsuko’s meddling.
Unlike Natsuko, who actively changed the story, Kametaro wants to see events play out in the way that she wrote them. Instead of being flattered by Natsuko’s adoration for her, she derides her, saying her “fan edits” are pointless and ruining “her masterpiece.”
The Bird=The Worst Kind of Creator
I’ve repeatedly said that part of the appeal behind Zenshu is how it feels like a commentary on the relationship between stories, storytellers, and fans of said stories. In this case, Kametaro serves as a rather brilliant foil to Natsuko. Both are talented storytellers who put everything into their creations, which is something every great storyteller should strive to achieve. What makes them different, though, is how they view their own creations. Despite loving A Tale of Perishing, Natsuko hasn’t been afraid to point out its flaws and plotholes. She’s open and willing to change things to suit the story better. In contrast, Kametaro sees A Tale of Perishing as her perfect masterpiece and refuses to accept any other opinion. She wants her story to be this angsty, depressing downer which ends with the entire world being destroyed, regardless of what will happen to her or the people in it.
Okay, real talk. Kametaro Tsuruyama is, in my opinion, the worst kind of creator that we can get. She refuses to let the world she created grow and develop on its own. She may or may not be actively trying to course correct it, despite knowing that the original ending will kill her too. And worst of all, she’s critical of Natsuko for changing the story. It’s OK to take pride in your own creation, but if the majority of people can’t even watch it because it’s so depressing, you might want to rethink things. In addition, despite the stance some authors and creators have against fan-created content, you’d be surprised at how good some of it can get. I.E. Allen Blaster’s Shield Hero series is so good, it’s been called better than the canon story!
Natsuko is Like, “DOES NOT COMPUTE”
However, everything that Kametaro says to Natsuko takes a backseat for most of the episode. The real focus is on something that most people saw coming, but could still enjoy: Luke is in love with Natsuko.
The show hasn’t been subtle about the fact that Luke has fallen for Natsuko. Nor, hilariously, is Luke subtle when he decides to confess his love to her.
“A very weird switch has definitely been flipped.” – which pretty much sums up Luke for this entire episode of #Zenshu.😆 But this clueless couple’s (Couple??) hot spring date (Date???) is rudely interrupted. Another gem by @MaddieMorrisVA, @RyanNegronVO, and the whole dub team! pic.twitter.com/ga55jEmZbF
Seeing Luke tell Natsuko that he loves her over and over is the right kind of cringe. The kind where you want to look away because it’s so awkward, but you can’t help but keep watching. However, it’s the reactions of Natsuko, who’s just as inept at romance, that makes the entire sequence enjoyable. The shock of the confession is so great that she has to go into denial over the fact that the world she’s in is as real as hers!
Thankfully, the show doesn’t linger on the cringeworthy moments for long. Thanks to good advice from ultimate wing-man Justice (thank you, Justice), Luke takes Natsuko on a genuinely romantic date to a hot spring! They do bathe out of site on opposite sides, but that’s besides the point.
Hot Spring Time
In many anime, hot springs are often used for one of two things: fanservice and letting characters discuss their thoughts and feelings. In this regard, the writers of Zenshu nailed both. The setting itself is incredibly detailed and well drawn, with good use of various cool colors to give it an otherworldly feel. The fanservice isn’t over-the-top, with Luke ending up showing more while Natsuko winds up averting any big money shots. And hearing the two bond over their mutual love of their comrades is very sweet. It’s these kinds of moments that the strongest forms of love are built on.
“A very weird switch has definitely been flipped.” – which pretty much sums up Luke for this entire episode of #Zenshu.😆 But this clueless couple’s (Couple??) hot spring date (Date???) is rudely interrupted. Another gem by @MaddieMorrisVA, @RyanNegronVO, and the whole dub team! pic.twitter.com/ga55jEmZbF
Too bad a wandering Void shows up. To make matters worse, this isn’t just a Void Natsuko’s never seen before: it has the powers of her drawings back during the first episode. AKA her expy of the God Warrior from Nausicaa of the Valley of the Wind. Thankfully, with Luke’s swordsmanship, and Natsuko drawing a freaking Gundam, the two manage to vanquish the monster! And at the very end, as Natsuko experiences the same thing the people who fell for her did around her.
the final scene with the ending playing >>>>>>>>>>>>
the way luke looked at natsuko and the way natsuko looked at him 🥺🥺🥺🥺🥺🥺🥺 the “ squee” too omg she’s so cutee she got her first love 🥺🥺🥺🥺🥺🥺 “ ITS PEAK ITS PEAK “ we all screamed in unison #zenshupic.twitter.com/S0D3xbr63k
Just like I predicted, Natsuko and Luke have fallen for each other…and I wholeheartedly ship them! They make for a very sweet couple! However, any excitement one may feel over the fact that Natsuko is finally experiencing love is overshadowed by the stinger. Each episode only reveals an image over the title for the next episode, but the appearance of this next one is very bleak. Combined with Kametaro’s warnings about Natsuko’s efforts being pointless and how the story seems to be trying to course correct, it paints a very grim picture.
And we were right to think like that. This episode basically marks the last time we can experience something lighthearted in Zenshu. The next episode, things start to hit the fan.
By this point in the story, it’s evident that Natsuko Hirose was brought to the World of Perishing for a reason. She’s not just there to turn the tragic ending into a potentially happy one. She’s also been sent to that world so she can learn to overcome her negative character traits. I.E., to teach her the values of friendship and love. While the last two episodes have seen success on getting her to work with others, when it comes to love, she remains clueless. As this episode dives into Natusko’s past through the eyes of others, it’s revealed that her inability to understand love is something she’s dealt with her entire life. And, for extra irony, she’s made more than just Luke fall for her without even trying!
Also, this episode likely gave us the identity of the overall antagonist, AKA that mysterious bird that keeps appearing.
Natsuko is Winning Over Everyone…
Through a series of flashbacks, this episode gives us a look at Natsuko’s life from the perspective of four people. Each of them ranges from a childhood friend of hers all the way up to her boss at her animation studio, but they all have one thing in common. That thing being that Natsuko manages to evoke strong, often romantic, feelings from each of them. Granted, one of them, a senpai from a college, uses those feelings to fuel his (failed) attempts to surpass her, but that’s beside the point. The point is that Natsuko has been capable of making people fall for her, and never realized it.
As the main protagonist, Zenshu has given viewers a pretty good grasp of Natsuko’s personality by now. She can come off as rude and abrasive at times, but, as it should be evident by now, it’s less out of malice and more out of not understanding social cues or personal space. Yet despite these shortcomings, her upfront nature, dedication to her craft, and overall passion also make her very charismatic without even trying. Enough to make multiple people fall in love with her.
Which makes her own inability to understand what it’s like being in love all the more ironic.
…But Has 0 ROMANTIC XP!
As the final flashback of the episode demonstrates, Natsuko is utterly clueless on what it’s like to be in love. So what does she do? She turns to romance manga, harasses people on their own first loves, and attempts to play out romcom tropes in real life. Including “the running into someone while carrying breakfast in your mouth” routine! But if finding love could be forced to happen like that, then nobody would be single in this world. Sadly, it doesn’t work like that, and all she does is annoy her coworkers.
The funny part to all of this is that Natsuko doesn’t even need to force romance. If she had paid more attention to the people around her, she would see how many people of both genders are attracted to her. Though truth be told, it seems like the events of Zenshu are setting her up for her own first love: Luke. In fact, given her obsession with A Tale of Perishing, it seems like she was always in love with Luke but didn’t realize it. But as the episode ends in the present day, with Natsuko celebrating with the Nine Soldiers, there might still be hope for her.
Assuming that the mysterious bird that’s been appearing doesn’t have anything to say about it.
Who is that Weird Bird?
Over the past few episodes, Natsuko has been repeatedly visited by this mysterious-looking bird with big eyes. It keeps saying that all her attempts to give the story a happier ending won’t work, and it seems to be the one actively changing the story to ensure it returns to its “correct” path. And this episode might have revealed who this being might be.
We don’t get a good enough look at her, but based on the drawings of the creator of A Tale of Perishing that Natsuko looks at, this bird might be the avatar for the film’s own creator. And for whatever reason, she seems to be bent on ensuring things play out as she envisioned them. Which in and of itself could be seen as meta-commentary on creators who actively shut down any and all attempts by fans to improve their story. Or it could all just be a coincidence. Either way, with Zenshu now in the back half of its episodes, things are going to start ramping up. Will Natsuko find a way home? Will she understand the meaning of love? Is all of this a dream as she’s recovering in a hospital bed? Here’s hoping we find out!
It was going to happen sooner or later, but that doesn’t make it any less painful: Natsuko has screwed up. Big time. Because she insisted on handling the Voids by herself, she failed to stop them during their last fight. As a result, she came dangerously close to dying, possibly for good! With the Void now poised to get the last Soul Future (the crystal MacGuffin preventing the end of the world), Natsuko needs to get her act together. It’s long overdue for her to learn…how to work in a team.
If this is all a dream or she gets sent back to Japan when this is all over, this will be an important life lesson.
Given how the last episode ended right as the Void were about to attack Natsuko, one would expect its follow-up to pick up immediately from there. However, for some reason, Zenshu never actually shows us exactly how Natsuko escaped certain death. All that is known is that Luke and the others saved her, and then spent days trying to heal her injuries with their magic.
What the show does do, though, is start the episode by revealing the other members of the Nine Soldiers. Save for Justice, the missing members are deceased, a sobering reminder of how bleak A Tale of Perishing was before Natsuko arrived.
Regardless of what happened, the liquid Void embedded itself next to the tower containing the last Soul Future and placed itself into a chrysalis. When it emerges, it will attempt to consume the one thing keeping the world from ending.
And worst of all? Natsuko didn’t seem to learn anything from her failure.
Reality Check, Natsuko!
This episode’s name is particularly meaningful, as it marks a big change in Natsuko. At first, she says she will handle the Void like she always does, but the Nine Soldiers aren’t having any of it. Everyone (except Unio) does everything from yell at her for being reckless (Luke) to patiently reassuring her she’s not alone. However, it’s QJ, the robot and character who’s had the least impact on the story, that manages to get through to her. In a very sobering moment, QJ plays back footage revealing how hard the others worked to save her life.
The anime has yet to explain why Natsuko developed this mindset of doing everything herself, but it has shown how detrimental it is. Back in Japan, her stubbornness put the entire studio in jeopardy, which is bad enough. But in A World of Perishing? It almost got her killed. It has to stop, and thankfully, the message sticks with Natsuko. She finally learns the importance of working with a team.
When the Nine Soldiers next fight the Void near the Soul Future itself, this time, it’s not just Natsuko who saves the day. The entire group uses a plan that Luke comes up with that requires all of them. And it works! They manage to stop the Void and save the Soul Future, thus preventing the end of the world once more!
Another Crisis Solved
The best part, though, is that the fight prompts Justice to get back into the fray. And after helping Natsuko pull things off, Luke sees for himself how Justice’s wings were mangled, preventing them from flying to their full extent. And that makes Luke realize that he was so caught up in his own problems that he never realized how Justice was feeling. So, it looks like Justice is going to end up rejoining the Nine Soldiers.
#ZENSHU Ep 06, "Maybe I can't fly, but you can."😂 The whole flying sequence of Justice with Natsuko was great. The final strike was heroic.🔥🔥Justice & Luke finally get along. Natsuko accepted that she doesn’t have to do everything alone, she can rely on others. #全修#MAPPApic.twitter.com/bRZVIBuNrX
The timing couldn’t be better. With the Voids now taking on forms that Natsuko doesn’t know about, they need to up their game. They need to change how they work.
And with that, Zenshu has reached its halfway point. Sorry for the delay, but more reviews will be out soon!
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