Akira Remembers to Appreciate Family

Zom 100: Bucket List of the Dead Ep 9 Review

Zom 100 is unlike most zombie apocalypse stories that came before, and that has to do with its main themes. The whole story’s an argument that people are spending too much of their lives working and doing what society expects of them instead of doing what they want. As a result, many people never get to do the things they want in life until it’s too late. That’s nothing new to this story, but this week’s episode adds another layer to this concept. It’s hard enough when people need more time to do what they want. Now add that they may not have the time they want to spend with their loved ones before they’re gone. 

This review will get pretty deep, so put tissues on standby.

The Magic of a Treehouse

As Akira and his group nears the end of their trek to his hometown, they run into a literal roadblock. The only tunnel leading to Gunma is sealed off on both sides and infested with zombies. Nothing can get out or get in. Thus, the trip to “Kanto’s best-kept secret” continues on foot, leading the group to run into a carpenter being chased by a zombie boar. After saving his life, the carpenter, Masaru Kumano, explains why he’s out in the woods. He’s building a treehouse to keep himself safe from the zombies, something that Akira and Kencho eagerly join in on. Both because it’s on Akira’s Bucket List, and the simple fact that most kids dream of having a cool treehouse.

Tragically, Kumano reveals that the treehouse is not just for safety, but a tribute to his dead son. He always promised that they’d build a treehouse one day, but he lost his wife and son when the zombie plague broke out. This leaves him filled with melancholy over the fact that he didn’t spend as much time with his kid as he wanted.

This moment defines the tone of the rest of the episode, as it makes Akira reflect on his own relationship with his parents, who he hasn’t seen since he left to work in Tokyo. Many young adults leaving home for the first time (and even the ones who remain at home) can feel guilt over not showing enough gratitude to their parents, or getting to do everything they want with them. That was even before the zombie outbreak; with the chance of survival far lower now, Akira’s more determined than ever to make things up to his parents.

I won’t lie: this episode made me think about my own relationship with my parents, and what I can do to help them as we all get older. Anyone acutely aware of the passage of time and how their parents might not always be around may end up feeling the same. 

Gunma is the Perfect Anti-Zombie Stronghold…Until Now

Regardless, Akira leads his group to his hometown of Gunma, and he isn’t joking when he calls it Kanto’s “best-kept secret.” It’s the perfect stronghold to ride out a zombie apocalypse: limited routes to get in, self-sustaining food supply, and plenty of people around make it a veritable redoubt. Akira and his friends could take refuge there forever if they wanted to. Alas, trouble’s already brewing in the form of a group that serves as evil twins to Akira and his friends.

Many refugees from the cities wound up making their way to Gunma following the zombie outbreak, which isn’t a problem at first glance. However, four of those people have come with the intent of destroying the village by unleashing the zombies on everyone. The reason why? Simply for the sake of it.

Meet Kanta Higurashi, a nihilistic NEET and Akira’s evil counterpart. The anime doesn’t reveal his full backstory yet, but it spends the final moments of the episode establishing why he and his group are dark reflections of Akira’s group. Like the protagonists, they were people who either wanted more out of life or were dissatisfied with society and their place in it (or lack thereof.) Whereas Akira and his friends are using zombie virus to better themselves and live their best lives, though, Kanta’s group doing the opposite. They’re indulging in their worst vices and acts of petty vengeance against those they think wronged them. There will likely be those who use the end of the world to embrace their worst aspects, and Kanta’s group is a frightening example of what can happen. 

Too bad we don’t know when the next episode will air.

Support the People in the Anime Industry

Zom 100 has been continually plagued by numerous delays since it’s premiere. As a result, what should’ve been a surefire hit for the summer season has likely not live up to its full potential. Now, it’s suffering its most considerable delay yet as the final three episodes of the first season are delayed indefinitely

There’s a dark sense of irony to this. For an anime about bashing abusive working conditions, the anime industry is one of the worst places for people to work. The last few years have seen a growing awareness of how bad it is working in the anime industry, with people even being hospitalized from sheer exhaustion. Now, that kind of work environment could cost Zom 100 a spot as one of the best anime of 2023.

The anime opening was actually incomplete when the series premiered. This latest episode is the one that includes the full opening.

There’s no telling when this popular anime might return, but for now, the best fans can do to support is to spread awareness about how great it is. Anyone who’s hated their jobs can emphasize and identify with Akira and his friends, and maybe it can encourage more people to prioritize their own wellness in this chaotic world. That, and it can help spread awareness of how the anime industry needs serious reforms.

I Give “Treehouse of the Dead” a 4.5/5

Netflix ‘One Piece’ Gets an Unprecedented Season Two

Why the Live-Action One Piece Getting a Second Season is a Big Deal

Over the years, Netflix has tried to adapt popular anime into a live-action format, only to fall flat on their faces. Their live-action Cowboy Bebop got canceled less than a month after first premiering. And their film adaptation of Death Note was hated so much, the director deleted his Twitter to avoid the death threats. Needless to say, anime fans are adamant about any adaptations being true to the source. Then, Netflix decided to team up with mangaka Eichiro Oda to adapt his legendary series, One Piece. And despite the stigma surrounding live-action adaptations, One Piece succeeded where so many others failed. It was good! It didn’t reach the same levels of comedy as the original story, but it captured the spirit of the series in a way few had.

The show’s success is apparent to Netflix and fans alike. At the time of this writing, it’s consistently remained in the top ten most-watched shows on the platform. In addition, it’s garnered more popularity than the Ahsoka miniseries. Fans waited years for that to come out, and One Piece blew it out of the water. Thus, it comes as no surprise when Eichiro Oda himself announced on social media that the series would be getting a second season.

An Unprecedented Decision

This decision is unprecedented. While live-action adaptations of anime have gotten sequels in movie format, such as Ruronori Kenshin, to the best of my knowledge, it’s never happened to a show itself. In a recent interview with Deadline, executive producers Marty Adelstein and Becky Clements admitted that they already have a roadmap planned out for six seasons of the show. If it does well enough, though, they have plans for twelve seasons. If that’s true, then Netflix could attempt to adapt the entire series over the next ten or so years. 

Those familiar enough with One Piece will know how Herculean a task this is. One Piece is a series with a thousand-plus chapters under its belt, and a near-equal amount of anime episodes. In other words, there’s a lot of material to cover. If the people at Netflix are truly investing in this for the long haul, then they’re going to have make a lot of hard decisions. How much of the material will they choose to adapt per episode? Assuming they choose to give season two the same number of episodes as the first one, they will have to condense a lot of material. At best, they’ll be covering the Loguetown arc all the way up to the end of the Alabasta Saga. That’s a tall order to fill!

Then there’s also the manner of how much this will cost them. As One Piece progresses, the fights become more elaborate and fantastical. Considering how many of the opponents that Luffy and the others will be facing from this point onward will have Devil Fruit powers, they will have to find a way to adapt them to live action. That means a lot of money will go towards special effects and related issues. One of the future Straw Hat’s alone will have to be created entirely by CGI. Adapting most of this will cost a lot of money!

Fortune Favors the Bold…and the Crazy

Regardless of the cost, though, it seems likely that Netflix will be willing to pay whatever they have to ensure that their adaptation of One Piece is a success. Despite some nitpicks, the show has largely been a success, capturing the spirit of the anime and manga in live-action form. Countless people worldwide are getting into One Piece thanks to the live-action series. Before, many would refrain from getting into the franchise, intimidated by its sheer length and size. The live-action series serves as a mean for newcomers to get into One Piece without having to spend days binging the anime or manga, making it an appealing alternative for those lacking free time. 

As for Oda, he’s getting the chance to retell one of the greatest stories in recorded human history: his story. It’s not even complete, and it can already stand toe-to-toe with legendary, centuries-old tales. With the right planning, advertising, and Oda’s steady hand, it could become the big show to watch in the 2020s. Even if it isn’t, though, One Piece has already secured its legacy for generations to come.

That, and there’s no way it could do worse than the end to Game of Thrones.

Sayonara, Tokyo…and Welcome to Hell, Akira

Zom100: Bucket List of the Dead Ep 6 Review

After another round of delays, Zom100 is back and about to be bigger than ever. With Tokyo finally losing electricity, resources running low, and more zombies showing up, Akira and Kencho have no need to stay in Tokyo. It’s time for them leave the city and find greener pastures. However, a man from Akira’s past threatens to derail Akira’s new life. A man who, in this writer’s honest opinion, belongs in one of two places: in jail, or dead in a gutter. 

I am being serious. This person is worth less than pond scum.

Sayonara, Tokyo!

With the power now out and the apartment out of water, Akira and Kencho have little to gain by staying in Tokyo. The zombie hordes are becoming too big a problem to ignore, so they decide it’s time to leave. Their next stop is the Kanto countryside and Akira’s hometown, Gunma. In addition to their decision to leave making sense from a logical stance, it also makes sense from a narrative standpoint. Having the series take place in a single location would risk losing its initial appeal. Having them leave gives more opportunities for storytelling.

That, and it leads to the duo running into Shizuka once more, to her chagrin, and Akira’s joy. 

Even though Shizuka acts like an ice queen and tries to be all business, the trio’s search at an RV show makes it clear: Akira is rubbing off on her. She ends up letting her sillier side slip, proving that she’s not as cold as she makes herself out to be. Besides giving her more character, it also endears her to the others. And when the trio’s forced to flee in an RV from zombies, the matter’s settled. She’s part of their group, whether she likes it or not. Welcome aboard, She-Spock.

Too bad things go wrong right outside the city.

Kosugi is Trash

So the trio’s driving on the highway when, all of a sudden, they run over a spike strip, leaving them stranded and Kencho injured. The culprit is a group of literal highwaymen led by none other than Akira’s worst nightmare. The man responsible for making the last three years of his life Hell, a man who is the absolute worst: his former boss, Kosugi.

If Zom100 is an argument against the exploitative nature of capitalism, then Kosugi is the worst aspects of it personified into a piece of trash. Shizuka sees right through him: he sabotages anyone leaving the city so they’ll be stranded, then forces them to work for him in exchange for his “help.” In other words, he’s running an extortion racket, and everyone knows it. So, Akira has to go back to working for him for two days while they fix his ride. At least, that’s what it’s supposed to be.

It’s here where the depths of Kosugi’s abusive nature take center-stage. Everytime he talks, he’ll either be yelling at his workers for not doing their job the way he wants. Worse, he’ll yell at them if they show any initiative, like when Akira tries to freeze some beer for everyone, and he calls it a waste of energy. Then, to add insult to injury, when everyone’s happy about it, he takes full credit for it. 

Kosugi is the worst aspects of corporate culture personified. He’s sleazy, sexist, and knows how to mix abuse with empty praise so that people like Akira will become dependent on him. No wonder why Akira’s job was absolute hell: this man doesn’t deserve to be the boss of anyone. If anything, he deserves to be in jail. 

Akira Needs to Stand Up for Himself

Sadly, the episode ends on this bleak note as Akira, despite his best efforts, is falling back into the same zombie-like mentality he possessed at the beginning. If this keeps up, then he’s going to be a wage-slave again. The saddest part about this is the fact that these sorts of things happen in the real-world only makes this harder to watch.

That said, I enjoyed the lightheartedness at the start of the episode, especially regarding Akira and Shizuka. The ice queen’s not so above it all.

Also, there were cameos from the zombie land saga in the zombies!

I Give “RV of the Dead” a 4/5

‘Zom 100’ is a Hilarious Jab at How Corporate Jobs Can be Hell!

Zom 100: Bucket List of the Dead Review

Once upon a time, working an office job for a big corporation seemed like the ideal life. To get paid working in a safe place that required minimal physical labor sounded like a dream come true. Then people realized the truth: office jobs suck! You face annoying commutes to work, do something that, in the grand scheme of things, has no value, and potentially deal with bosses that are either jerks or idiots. And when a person deals with that day in and day out, every day, can you even call that living? It’s less like you’re living and more like being a zombie. 

Then again, being a zombie might be an even better alternative. That seems to be the philosophy that this new, hilariously comedic horror anime called Zom 100: Bucket List of the Dead seems to live by. When everyone living through a zombie apocalypse is the equivalent of hell, this show looks at us and asks, “Was life before any better?” 

Akira Tendo, the Corporate Slave Zombie…

The first episode opens with one of the most depressingly realistic introductions to a character I’ve seen in a while. Meet Akira Tendo, who, at the young age of 24, already lives like he was dead. Three years ago, he got a job at a production company fresh out of college. At a glance, it looked like his dream job. He’d be doing what he loved, his co-workers seemed nice, and he even had a crush on this cute one named Saori Ohtori.

It took less than a day for him to start hating it. 

If people in America think corporate jobs are bad, then that’s nothing. In Japan, there’s the concept of a “black company.” In essence, it’s everything negative about working in a big business office job. Everyone’s expected to work overtime without pay; the bosses are more like slave drivers and concern for mental and physical health is nonexistent. It gets to the point where some people would rather die than live like that. I’m being serious.

As depressing as this is, Zom 100 plays up Akira’s horrible life for the sake of black comedy. We hear his coworkers bragging about how much overtime they’re putting in; his boss is an abusive demon, and that girl he likes? She’s the boss’ mistress! He can hear them making out from inside the man’s office. By the time we’re introduced to him, he’s more a zombie than a person.

Again, it’s exaggerated for comedy’s sake, but it’s still a big jab at how corporate work sucks.

Wait, a Zombie Apocalypse? I NEVER HAVE TO WORK AGAIN!!

One day, as Akira’s reluctantly headed to his terrible job, the thing so many people dread happens. The zombie apocalypse begins, and Akira starts freaking out. Then, as he’s busy running for his life, he realizes something. Something that will offer him salvation from his hellish life: he never has to work again. 

Then suddenly, the formerly monochrome world Akira’s in lights up in an explosion of colors. It’s a big, neon-colored expression of how Akira’s happy for the first time in years. Everyone else is reacting to this like it’s Highschool of the Dead, while Akira’s treating it like the best day of his life. It’s a brilliant moment of black comedy that left me grinning at the sheer audacity. The show’s saying that it would be better to face down zombies rather than sit in an office and do a job that gives you no fulfillment. 

So, now alive for the first time in years, Akira does what he should’ve done years ago. He heads to Ohtori’s place to confess his love but finds she’s already a zombie, along with his fat boss. So, killing three birds with one stone, he quits his job, throws his boss out the window, and then confesses to Ohtori before running for it. And he’s still happier than ever.

Get Busy Living Before you Get Busy Dying.

Afterward, Akira realizes that odds are, he’s going to die and become a zombie himself. Before that happens, though, he wants to live his life to the fullest. So, he grabs a notebook from a convenience store and comes up with his bucket list of 100 things to do before he dies. And that is where the first episode is.

There have been many zombie apocalypse stories told over the year, including anime like Highschool of the Dead. But this might be the first time in living memory where the idea of a zombie apocalypse doesn’t look that bad. Yes, society collapses, and people have to fight to stay alive. But when you contrast that to how horrible Akita’s life was before this, could you even call it living? Life is meant to be more than just slaving away at a job you only do to pay the bills. It’s enjoying yourself. Maybe Akira has the right idea about what he’s doing. Regardless, I’m going to enjoy watching this series.

There’s more, though. The dub comes out on August 6th on Crunchyroll and Netflix (and has Zeno Robinson as Akira), and the latter is making a live-action version of this. Clearly, the anime distributors seem to have a lot of faith in this, so that should encourage you to watch it. Even if we can’t all quit our dead-end jobs, seeing someone like us do that makes our world a little brighter?

I Give “Akira of the Dead” a 4.5/5