Madeline Morris

Natsuko Just Fixed a Useless Character

Aside Roderick J "Jay" Friz Anime, Anime Reviews, Crunchyroll , , , , , , , , , , , , ,

Zenshu Ep. 3 Review

Zenshu has now hit its third episode (fourth by the time this is out), and that marks an important milestone. The anime’s reaching the point where viewers will decide whether it’s worth watching or they decide to move onto something else. Thankfully, after a few rough patches, the third episode manages to be its strongest thus far. In addition to further expanding on the world that Natsuko finds herself in by introducing Luke’s designated love interest, the episode hints that what she knows should happen and what will happen might not always add up.

Which is a fancy way of saying that the story might be mixing things up in an attempt to course-correct.

I Respect Natsuko’s Aversions to Fancy Clothes

Thanks to the efforts of Natsuko, two of the tragic events that originally occurred in A Tale of Perishing have been averted. As a result, rather than the joint funeral for Unio and the townsfolk that Natsuko notes would’ve happened, the Last Town’s harvest festival takes place as planned. To her dismay, being the guest of honor also means she has to wear a fancy dress, which she despises, much to Unio’s amusement.

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The harvest festival, as a whole, serves as an excellent means of further developing Natsuko and the Nine Soldiers. Natsuko’s disdain for her fancy dress highlights how she wants to live life on her own terms and doesn’t care what others think. Unio proves to be a casanova wannabe who tries and fails to flirt with multiple women, to Natsuko’s amusement. Memmeln refrains from the town’s religious practices because she’s lived so long, she sees them as a fad. And despite his good looks, Luke is shown to be very shy around large groups of women. Which may explain his earlier sexist remarks towards Natsuko.

This is unfortunate, as this episode marks the introduction of his love interest from the film Destiny Heartwarming (yes, that is her real name.) She’s the sweet, sheltered daughter of the town’s mayor, engaged to a wealthy businessman to be the next of his many wives…and that’s it. As Natsuko notes, she’s only there for her and Luke to fall in love…so that when she shows up at the worst possible time and dies, it will break him even further.

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A USELESS CHARACTER, DESTINY IS (For Now)

There’s a name for characters like this: dead. weight. Natsuko thinks that in her inner monologues, which is likely Zenshu providing commentary on how fans can come to hate certain characters for various reasons. In Natsuko’s case, not only is it because she’s a jinx, but because she’s only marrying that businessman because she thinks it’s the best way to start an orphanage for the town’s children. For someone who values her own freedom like Natsuko, Destiny’s way of thinking offends her to her very core.

In any case, Natsuko tells everyone that they have a month before the Void return, so they can take it easy. However, she’s soon proven wrong when a Void comes in disguised as a priest, something that shouldn’t have happened until later in the story. How this is happening is unclear, but it’s possible the story is attempting to right itself after Natsuko’s interference changed events. And with Destiny in danger and Luke drunk in vodka, she has to come up with another deus ex machina.

WRESTLING!!!

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This time, it’s a cat luchador. Which leads to an enjoyable moment where Natsuko provides commentary as her creation delivers a smack down like it’s an actual wrestling match. Say what you want, but someone at MAPPA has a sense of humor.

In the end, another crisis is averted thanks to Natsuko, and in more ways than one. After waking up three days later (which seems to be standard), she finds out her words left a positive impact on Destiny. Not only did she dump business guy and open the orphanage on her own, she decided to follow Natsuko’s example and live life on her terms. And those terms include emulating the cat wrestler, which is hilarious.

Natsuko Hirose. Making bad characters better since 2025.

It was touch and go for a while, but after this episode, Zenshu looks like it can handle itself with the big boys. This is one anime to watch for the winter season of 2025, as there’s no telling how things will turn out. We still don’t know how Natsuko got to this world or why she was brought there, but there are sure to be some theories at work already.

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I Give “Destiny” a 4/5

‘Zenshu’ an Original Isekai by MAPPA

Aside Roderick J "Jay" Friz Anime, Anime Reviews, Crunchyroll , , , , , , , , ,

Zenshu Ep 1&2 Review

Since its inception almost fourteen years ago, Studio MAPPA has made quite a name for itself. It’s produced some of the biggest anime of the last few years, including Jujutsu Kaisen, Chainsaw Man, and even the final season of Attack on Titan. However, one genre of anime that they have yet to touch is that of the Isekai genre. Much less an Isekai that’s wholly original and not based on any light novel, webcomic, or manga. Yet they decided to kick off 2025 doing exactly that with their new, original series, Zenshu. AKA a self-insert fanfiction being made into an anime.

Anyone who has ever loved a story but hated the ending should have a vested interest in this anime.

Oh, you thought this was a work-place comedy? Think again!

Zenshu starts off with a bait-and-switch as it introduces us to our main character, Natsuko Hirose. She’s a young, talented animator who got hired right out of high school and already made a name for herself making a hit anime. Now, she’s working on her next project, a rom-com about first love. Except she’s got writer’s block because she knows nothing about romance whatsoever and is already running behind schedule.

At first, Zenshu looked like it would be a work-place dramedy about working in the anime industry, and that alone has its appeal. The animation industry in Japan has become infamous for how stressful it can be, and having an anime focus on that would be interesting to watch. However, here’s where the bait-and-switch comes in: Natsuko eats bad clams for lunch and apparently dies. When she wakes up , shes in the desert outside a medieval city while a group of warriors are fighting monsters.

The One Anime Where Everyone Dies

It takes a while for Natsuko to realize it, but she’s somehow gotten isekaied into A Tale of Perishing, the anime film that inspired her to become an animator in the first place. Unfortunately for her, the film was panned by critics and audiences for a good reason: all the heroes die. Few people would ever want to watch a story where the protagonists all die. And she happened to show up right when the main hero’s best friend is about to pull a Chiatzou and sacrifice himself to stop the monsters, called the Void.

Natsuko’s response: “Nah…I’m gonna fix that.” And somehow, her animating tool lets her manifest her desk and start drawing a deus ex machina to prevent this tragedy from occurring. And while the anime can be a little cringy up to this point (it doesn’t help that I couldn’t decide if I liked dubbed or subbed better) you can tell MAPPA wanted to cook with this one scene in particular.

It boils down to Natsuko recreating the climax of Nausicaa of the Valley of the Wind, minus the main character briefly dying!

Natsuko and Luke Have Some Issues

The second episode picks up with Natsuko coming out of a three day slumber to be confronted by Luke Braveheart, the main protagonist of the film. From there, it essentially deals with Natsuko trying to understand how she got into this situation as well as how she managed to do whatever she did. Unfortunately, all she can learn is that she can’t use that magic whenever she wants; only when they’re fighting. In addition, she can only drawing a new ending once, so she has to get creative with her approach. Which is a nice handicap MAPPA came up with to make the story more interesting. Zenshu wants Natsuko to work for what she wants!

The other main focus of the second episode, though, is on the growing dynamic between Natsuko and Luke. At first, Luke is very weary of Natsuko, not even knowing if she’s human or not. Then, in this episode, when the mayor of the city offers to have her join the hero’s party, he makes a sexist remark by saying women can’t fight. Right in front of his female teammate, no less. That alone would get him canceled on social media.

Yet, for some reason, Zenshu drops subtle hints that it’s shipping Luke and Natsuko. So, there’s likely going to be some character development on both parts. Plus, it’s hinted that Luke acts like this because of something from his backstory, though it doesn’t say what.

I Hope this Show Develops the Characters More

It’s not just Luke that is a problem, though. It feels like the characters from A Tale of Perishing don’t have much depth to them. Since this is only the first two episodes, though, that will (hopefully) change. But it doesn’t help that Luke’s best friend, a talking unicorn named Unio, is a little irritating. Not even having him voiced by Luci Christian in the dub can help that!

Speaking of dub, it’s hard to tell which is going to be better, subbed or dubbed. On the one hand, the dub does have some good talent with Madeline Morris, the voice of Rudeus Greyrat, voicing Natsuko. On the other hand, the dub can feel a little cringy at times, though that might also be the story.

Despite some of the issues with Zenshu, I did put it as one of the anime to look forward to going into 2025. As such, it only feels right to try and stick it out until the end. At the very least, reviewing it every week might help others decide if it’s worth the watch or not.

I Give “First Stroke” and “Defending to the Death” a 3.5/5 and a 4/5