TBATE, I know you can do Better

The Beginning After the End Ep 1 Review

In my time on this blog, you have heard me mention something called “The Seven Summits of Isekai.” Putting it simply, it’s a term I use for what I consider to be the titans of the isekai genre. The series that put in the legwork to make the worlds the protagonists get summoned and/or reborn into feel real. In other words, the good stuff that stands mountains above the usual isekai fare. Mushoku Tensei is among those seven, and, after reading over the webcomic, I was looking forward to adding its spiritual younger brother, The Beginning After the End, to the group. However, after seeing the first episode, I may need to rethink its membership.

For those who haven’t already, I highly recommend you head over and read my initial overview of the series, as it does a good job of explaining the basic premise. This way, I can dive in, review the first episode, and explain why TBATE is going to be fighting an uphill battle.

A Small Divergence from Mushoku Tensei

Over the years, TBATE has been accused of being too similar to the likes of Mushoku Tensei, and its detractors aren’t wrong. As the first episode deals with King Grey’s death in his first life and the beginning of his new life as Arthur, it copies a lot from the start of Mushoku Tensei. Like Rudeus before him, Arthur milks his time as a baby for all its worth to help give himself an early advantage in life. Which eventually leads to both of them revealing their apparent genius in the most explosive way possible.

While it may seem like this is a word-for-word copy of the moment when Rudy blew a hole in his childhood home. However, there’s one major difference between him and Arthur that changes how things play out: their reactions. Unlike Rudy, who was never in any real danger afterwards, Arthur almost dies thanks to some falling debris, only for his dad to save him. It was this experience that finally made the former king-turned-baby realize something that Rudy wouldn’t fully understand until he was an adult: Alice and Reynolds are his parents. They love him, and he loves them, and this realization leads to all them having this very heartwarming moment together. The kind of moment that Rudeus wishes he could have had with his own family before he left Buena Village. It’s very sweet to see…

Is what I would say. Except there’s one problem with this anime that’s so bad, even I notice it: the animation.

The animation…is trash

There’s no easy way to say this about The Beginning After the End: the animation is trash.

I normally don’t put that much attention onto the animation quality for a series, as I usually care more about the storytelling. It allows me to overlook moments that may not have the best animation in order to enjoy the story to its fullest. However, when the animation quality is so bad that even I notice it, then there’s something very wrong.

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Everything about the animation in the first episode only serves to fuel the allegations that TBATE is a cheap knock-off of Mushoku Tensei. That, in turn, will only harm its reputation in the long run. I know how stressful the the anime industry can be, but the people behind this should at least have some level of standard that they’re trying to uphold. Mushoku Tensei was able to get an entire studio founded just so it could succeed in being the best, so why can’t TBATE?

I have become a fan of The Beginning After the End, but it’s seeing the anime in action that makes me question whether this will be worth watching or not. This might be a rare instance in which the webcomic or manga might be better than the anime, and that’s not something that I like to see take place. That being said, I’m going to keep reviewing the anime anyway. If we’re lucky, the story will help to offset the poor animation long enough for it to gain traction. Until then, though…

AARON! Solo Leveling stays the manwha king!

I Give “The Rebirth of the King” a 2/5

Until Next We Meet, 100 Girlfriends!

The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You S2 Ep 12 Review

Last time on 100 Girlfriends Z, Karane Inda willingly gave up her tsundere-ness due to her own insecurities. But everyone quickly agreed that they preferred Karane the way she was and tried to restore her former self. When Kusuriโ€™s reversing drug failed to solve the problem, it was up to Rentaro to come up with a way to restore the Karane everyone knows and loves. Will his solution make any sense, or will it parody one of the greatest shonen anime of all time? What sort of crazy hijinks will ensue on the season finale? And will we get a third season? All of those questions, except for that last one, get answered now!

Operation: Get Our Tsun On

If the above introduction sounded like the intro to an episode of Dragon Ball Z, then that was the point. The 100 Girlfriends has already garnered attention by its parody of DBZ earlier in the season. However, it’s not done; instead, it double dips in the finale with the Rentaro Familyโ€™s attempts to return Karane to normal. Instead of trying to explain it myself, lets just have the anime sum things up:

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That’s right. They’re going to make a tsundere spirit bomb and throw it at Karane. And it is as hilarious as it sounds! But since 100 Girlfriends is a parody, they can do this sort of thing!

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In all seriousness, though, this episode does a good job of continuing the seriesโ€™ deconstruction of the tsundere. While the last episode showed us how hard being a tsundere can be on oneโ€™s mental state, this episode shows us just how amazing Karane is. When Rentaro is holding the tsundere spirit bomb, he’s barely able to withstand the sheer power it radiates and starts saying the opposite of what he really means. The fact that Karane has to overcome this sort of thing every time she expresses her love for Rentaro is nothing short of superhuman. To put it simply, Karane isn’t just a tsundere; she’s the Queen of Tsunderes! And it is great to have her back halfway through the episode.

We Really, Really, Really, Really, Really Love Rentaro

The remainder of the season finale can be best described as the anime just having fun with itself and breaking the fourth wall like never before. The fact that the show acknowledges its doing a chapter out of order so it can include Meme and Mimimi, who weren’t there in the manga, is hilarious. The series gives absolutely no fโ€™s about what its doing; it just wants to have fun with its ridiculous premise.

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However, nothing can compare to the final moments of the episode as the anime recreates one of the greatest moments from the entire manga.

This is one of the greatest moments in the history of the harem and rom-com genres. If we had to make a comparison, this is harem equivalent to the legendary Seven-Page-Muda from JoJoโ€™s Bizarre Adventure. Some people openly criticized the anime for apparently skipping over this scene. However, having it wait to use until the finale was genius. And yes, this actually happened in the manga, cementing Rentaro as a CHAD among CHADS!! The ultimate boyfriend that every woman deserves!

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Here’s Hoping We Get a Season Three

Sadly, this is where we must part ways with the 100 Girlfriends Who Really, Really, Really, Really, Really Love You. Unfortunately, there is no news as to whether or not the anime will be getting a third season. Which is sad, because that means we wonโ€™t get to see all the girlfriends that have yet to be revealed. Then again, if they tried to follow the series to the end, the anime industry might not have enough people to voice everyone.

If this is the end, though, Iโ€™d recommend going to read the manga. Because the girlfriends are going to get even crazier from here on out. Some of them you will absolutely adore, while others you will end up hating. However, that’s part of the fun for this series! And I, for one, Really, Really, Really, Really, Really Love The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You.

I Give “100 Girlfriends Who Really, Really, Really, Really, REALLY Love You (89 to go)” a 4/5

Zenshu Gets a Happy Ending! TAKE THAT, HAG BIRD!

Zenshu Ep 12 Review

And thatโ€™s a wrap, people! After three months, twelve episodes, and a ton of shout-outs to great anime and the people who made them, Zenshu is over! And what an ending it was! At the end of the last episode, it looked as though Kametaroโ€™s horrendously depressing ending was going to come true. In his grief over the loss of Natsuko, Luke had destroyed the final Soul Future, heralding the arrival of the Ultimate Void. Yet, thereโ€™s something that that old bag of a director never understood about humanity: that no matter how bad things may get for us, we keep looking for a light in the dark. In this case, that lightโ€™s name is Natsuko Hirose.

Don’t put too much stock into Destiny

Picking up where the previous episode left off, the transformation of Luke into the Ultimate Void helps us to understand why the mindless monsters are called Voids. In a nutshell, theyโ€™re the personification of the despair that people can hit when they begin to think that nothing they do matters. Itโ€™s something that everyone will experience at some point in their lives, and theyโ€™re left with two options. They can either give into despair like Luke, or they can do what Natsuko does: roll up their sleeves and tell despair to shove it. And does Natsuko tell despair and hopelessness to shove it.

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Even as the entire world begins to fall to pieces and everyone gets the Thanos dusting treatment, Natsuko refuses to give up. She draws harder than sheโ€™s ever drawn anything before. She draws an army of Lukes and throws them at the personification of hopelessness and despair. Thereโ€™s probably some sort of deeper meaning behind it, but itโ€™s hard to find over the sheer amount of awesome animation.

Despite being the last one standing, Natsuko gets some unexpected aid from someone she thought was gone for good: QJ! Memeln and her friends gathered the fragments of his body and rebuilt him just in time for him to come to Natsukoโ€™s aid. And together, the two of them manage to do the impossible. They change the ending of the story.

Not the first time I’ve seen a world remade

Some people might complain about how Natsuko effectively rebuilt the entire world into one where the Voids no longer exist. They may take Kametaroโ€™s side and say that itโ€™s a lame cop-out that makes no sense. I, on the other hand, think that itโ€™s the right kind of deus ex machina. Then again, this isnโ€™t the first time Iโ€™ve seen a protagonist recreate the world from nothing, nor will it be the last.

Sadly, the happy ending is mired by the fact that Natsuko returns to her world, with Luke vowing to come find her, somehow. No explanation as to how the film was capable of creating an alternate world given, nor any explanation as to why Natsuko got summoned to it or got her powers. Nor do we get a chance to see Luke and Natsuko kiss. In fact, the only proof that this wasnโ€™t a dream brought on by a near-death experience is that Natsuko kept Unioโ€™s horn as a hairpin.

That being said, this is still a monumentally better ending than what A Tale of Perishing was in the film version.

Top-Tier Ending for a Top-Tier Anime

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Debunked dream theories aside, I was right about this whole experience changing Natsuko for the better. The ending has her adopt a more open nature towards her coworkers, symbolized by the fact that she no longer hides her face behind her hair. And because sheโ€™s learned how to work in a team, her rom-com film becomes a massive success. However, the ending leaves things ambiguous regarding whether or not Luke finds his way to her world, which is a little frustrating. But not enough to take away from the fact that this was a good ending. A bit cliche, maybe, but still a good ending!

And with that, Zenshu has come to an end. It may have had its ups and downs at times, but as whole, it was one of the great shows of 2025. You can tell that Studio Mappa put a lot of love into this original creation of theirs. It pays tribute to the Isekai genre in a unique way. It pays tribute to the people who make anime possible. Most importantly, though, it shows a great deal of respect for the fans that drive entertainment forward and how they can find ways to improve on what has come before. In this case, that means taking a terrible ending by a woman who didnโ€™t  know what she was doing and make it into an uplifting story about first love and daring to hope in the face of impossible odds.

Also, it proves that sometimes the fans can do a better job than the creators!

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I Give “Zenshu” a 4.5/5

Natsuko+Luke 4Ever

Zenshu Ep 8 Review

Firstly, I would like to apologize for how long this review took to get out. I got so busy that I wasn’t able to keep up with watching Zenshu until there were already multiple episodes out. Thus, I wrote the reviews for the next four episodes at the same time so I could be caught up in time for the finale. Which will likely already be on Crunchyroll by the time this goes out. I am sorry for that.

That being said, my belief that things would begin to pick up in the second half of Zenshu was valid. Natsuko has gotten to the point where she’s content with her life in World of Perishing. More importantly, though, she’s starting to understand the importance of teamwork and opening yourself up to others. Unfortunately, she still has no idea how to deal with things like love and romance, which is about to become a big problem for her. In addition, she also learns that the mystery bird that’s been stalking her doesn’t have good intentions for this world.

That Dumb Bird!

Over several episodes, Natsuko’s been harassed by this mysterious, talking bird that keeps saying her efforts are “no use.” At the end of my review of the last episode, I speculated that the bird was an in-universe avatar for the creator of A Tale of Perishing, Kametaro Tsuruyama. It turns out that I was close: the bird is the late director herself.

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Like Natsuko, Kametaro Tsuruyama died back in Japan (from eating bad clams, no less) only to find herself in the world of her creation. Whereas Natsuko gained the power to alter the original story, though, it’s unclear what powers Kametaro got, if she got any. Nor is it made clear what force allowed both women to reincarnate in the World of Perishing. However, once Natsuko manages to corner her (and finish gushing over meeting her hero), one thing is made clear: Kametaro isn’t happy about Natsuko’s meddling.

Unlike Natsuko, who actively changed the story, Kametaro wants to see events play out in the way that she wrote them. Instead of being flattered by Natsuko’s adoration for her, she derides her, saying her “fan edits” are pointless and ruining “her masterpiece.”

The Bird=The Worst Kind of Creator

I’ve repeatedly said that part of the appeal behind Zenshu is how it feels like a commentary on the relationship between stories, storytellers, and fans of said stories. In this case, Kametaro serves as a rather brilliant foil to Natsuko. Both are talented storytellers who put everything into their creations, which is something every great storyteller should strive to achieve. What makes them different, though, is how they view their own creations. Despite loving A Tale of Perishing, Natsuko hasn’t been afraid to point out its flaws and plotholes. She’s open and willing to change things to suit the story better. In contrast, Kametaro sees A Tale of Perishing as her perfect masterpiece and refuses to accept any other opinion. She wants her story to be this angsty, depressing downer which ends with the entire world being destroyed, regardless of what will happen to her or the people in it.

Okay, real talk.  Kametaro Tsuruyama is, in my opinion, the worst kind of creator that we can get. She refuses to let the world she created grow and develop on its own. She may or may not be actively trying to course correct it, despite knowing that the original ending will kill her too. And worst of all, she’s critical of Natsuko for changing the story. It’s OK to take pride in your own creation, but if the majority of people can’t even watch it because it’s so depressing, you might want to rethink things. In addition, despite the stance some authors and creators have against fan-created content, you’d be surprised at how good some of it can get. I.E. Allen Blaster’s Shield Hero series is so good, it’s been called better than the canon story!

Natsuko is Like, “DOES NOT COMPUTE”

However, everything that Kametaro says to Natsuko takes a backseat for most of the episode. The real focus is on something that most people saw coming, but could still enjoy: Luke is in love with Natsuko.

The show hasn’t been subtle about the fact that Luke has fallen for Natsuko. Nor, hilariously, is Luke subtle when he decides to confess his love to her.

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Seeing Luke tell Natsuko that he loves her over and over is the right kind of cringe. The kind where you want to look away because it’s so awkward, but you can’t help but keep watching. However, it’s the reactions of Natsuko, who’s just as inept at romance, that makes the entire sequence enjoyable. The shock of the confession is so great that she has to go into denial over the fact that the world she’s in is as real as hers!

Thankfully, the show doesn’t linger on the cringeworthy moments for long. Thanks to good advice from ultimate wing-man Justice (thank you, Justice), Luke takes Natsuko on a genuinely romantic date to a hot spring! They do bathe out of site on opposite sides, but that’s besides the point.

Hot Spring Time

In many anime, hot springs are often used for one of two things: fanservice and letting characters discuss their thoughts and feelings. In this regard, the writers of Zenshu nailed both. The setting itself is incredibly detailed and well drawn, with good use of various cool colors to give it an otherworldly feel. The fanservice isn’t over-the-top, with Luke ending up showing more while Natsuko winds up averting any big money shots. And hearing the two bond over their mutual love of their comrades is very sweet. It’s these kinds of moments that the strongest forms of love are built on.

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Too bad a wandering Void shows up. To make matters worse, this isn’t just a Void Natsuko’s never seen before: it has the powers of her drawings back during the first episode. AKA her expy of the God Warrior from Nausicaa of the Valley of the Wind. Thankfully, with Luke’s swordsmanship, and Natsuko drawing a freaking Gundam, the two manage to vanquish the monster! And at the very end, as Natsuko experiences the same thing the people who fell for her did around her.

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Just like I predicted, Natsuko and Luke have fallen for each other…and I wholeheartedly ship them! They make for a very sweet couple! However, any excitement one may feel over the fact that Natsuko is finally experiencing love is overshadowed by the stinger. Each episode only reveals an image over the title for the next episode, but the appearance of this next one is very bleak. Combined with Kametaro’s warnings about Natsuko’s efforts being pointless and how the story seems to be trying to course correct, it paints a very grim picture.

And we were right to think like that. This episode basically marks the last time we can experience something lighthearted in Zenshu. The next episode, things start to hit the fan.

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I Give “Confession” a 4.5/5

Turns Out Natsuko was Always Waifu Material

Zenshu Ep 7 Review

By this point in the story, it’s evident that Natsuko Hirose was brought to the World of Perishing for a reason. She’s not just there to turn the tragic ending into a potentially happy one. She’s also been sent to that world so she can learn to overcome her negative character traits. I.E., to teach her the values of friendship and love. While the last two episodes have seen success on getting her to work with others, when it comes to love, she remains clueless. As this episode dives into Natusko’s past through the eyes of others, it’s revealed that her inability to understand love is something she’s dealt with her entire life. And, for extra irony, she’s made more than just Luke fall for her without even trying!

Also, this episode likely gave us the identity of the overall antagonist, AKA that mysterious bird that keeps appearing.

Natsuko is Winning Over Everyone…

Through a series of flashbacks, this episode gives us a look at Natsuko’s life from the perspective of four people. Each of them ranges from a childhood friend of hers all the way up to her boss at her animation studio, but they all have one thing in common. That thing being that Natsuko manages to evoke strong, often romantic, feelings from each of them. Granted, one of them, a senpai from a college, uses those feelings to fuel his (failed) attempts to surpass her, but that’s beside the point. The point is that Natsuko has been capable of making people fall for her, and never realized it.

As the main protagonist, Zenshu has given viewers a pretty good grasp of Natsuko’s personality by now. She can come off as rude and abrasive at times, but, as it should be evident by now, it’s less out of malice and more out of not understanding social cues or personal space. Yet despite these shortcomings, her upfront nature, dedication to her craft, and overall passion also make her very charismatic without even trying. Enough to make multiple people fall in love with her.

Which makes her own inability to understand what it’s like being in love all the more ironic.

…But Has 0 ROMANTIC XP!

As the final flashback of the episode demonstrates, Natsuko is utterly clueless on what it’s like to be in love. So what does she do? She turns to romance manga, harasses people on their own first loves, and attempts to play out romcom tropes in real life. Including “the running into someone while carrying breakfast in your mouth” routine!  But if finding love could be forced to happen like that, then nobody would be single in this world. Sadly, it doesn’t work like that, and all she does is annoy her coworkers.

The funny part to all of this is that Natsuko doesn’t even need to force romance. If she had paid more attention to the people around her, she would see how many people of both genders are attracted to her. Though truth be told, it seems like the events of Zenshu are setting her up for her own first love: Luke. In fact, given her obsession with A Tale of Perishing, it seems like she was always in love with Luke but didn’t realize it. But as the episode ends in the present day, with Natsuko celebrating with the Nine Soldiers, there might still be hope for her.

Assuming that the mysterious bird that’s been appearing doesn’t have anything to say about it.

Who is that Weird Bird?

Over the past few episodes, Natsuko has been repeatedly visited by this mysterious-looking bird with big eyes. It keeps saying that all her attempts to give the story a happier ending won’t work, and it seems to be the one actively changing the story to ensure it returns to its “correct” path. And this episode might have revealed who this being might be.

We don’t get a good enough look at her, but based on the drawings of the creator of A Tale of Perishing that Natsuko looks at, this bird might be the avatar for the film’s own creator. And for whatever reason, she seems to be bent on ensuring things play out as she envisioned them. Which in and of itself could be seen as meta-commentary on creators who actively shut down any and all attempts by fans to improve their story. Or it could all just be a coincidence. Either way, with Zenshu now in the back half of its episodes, things are going to start ramping up. Will Natsuko find a way home? Will she understand the meaning of love? Is all of this a dream as she’s recovering in a hospital bed? Here’s hoping we find out!

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I Give “First Love” a 5/5

Memmeln is Acting Hecka Sus!

Some people think that living for centuries would be awesome. However, what good is getting to live for hundreds, even thousands of years, if everyone you know grows old and dies without you? In fantasy novels, it is the curse of many elves to outlast their fellow mortals, like Memmeln from Zenshu. Even with everything Natsuko knows about the film sheโ€™s stuck in, she doesnโ€™t know what drives Memmeln. And that not knowing almost costs them the Nine Soldiers everything in the new episode of Zenshu.

Memmeln is a Void Stan

As Natsuko is working on her drawings, Luke asks a question out of the blue regarding the Void that snuck into the festival last episode. None of them know how that happened in the first place, but Natsuko knowsโ€ฆsort of.

Spoiler alert: Memmeln is part of a group that cast a spell to disguise the Void as the priest. Their plan was to summon the Ultimate Void, but when they do, and Luke killed it, it was revealed to be Memmeln. The problem is that the film never explained why this happened, so Natsukoโ€™s left fumbling for answers, just like Luke.

Which leads to the big โ€œwtfโ€ reveal of the episode: Memmeln is part of a group of elves that are fed up with living. Theyโ€™ve seen death and destruction too many times over the course of their lives, so they just want the pain to end. In short, theyโ€™re trying to create a mass extinction event to embrace death.

Immortality is Overrated…

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While thereโ€™s no denying that getting to stave off aging for a century or two would be nice, not everyone thinks of the downsides of such a long life. Live long enough, and everything starts to become a blur. People you know and love die, and youโ€™re left alone. Living that long can be a curse unto itself, something Memmeln is acutely aware of. However, instead of cherishing the time she has all the more, Natsuko points out how self-serving her plans are. And sheโ€™s not wrong. It is rather selfish to unilaterally decide to end the world.

So, the big issue is how do Natsuko and Luke convince Memmeln and her group not to go through their plans? Something Natsuko knows well: the immortality of a creator.

Unless you create something really cool!

It can be argued that, besides the existence of the soul, the only true form of immortality is having the world remember your name. And in this regard, great storytellers can wind up being remembered long after theyโ€™ve left this world. Homer, Shakespeare, Tolkien, all of them have been dead from anywhere from several decades to thousands of years, but people still remember them. Centuries from now, people might still remember Toriyama, Tezuka, Oda, and the other great mangaka of 20th and 21st centuries. The bottom line is that all these people created characters that, even after theyโ€™re dead and gone, are going to be remembered.

So, Natsuko plays into that with her latest drawing. Itโ€™s to remind Memmeln and her choir that, for all the suffering and loss that comes with the fullness of time, there are still beautiful things worth cherishing. Granted, she used a boy band heartthrob from an anime she worked on, but that doesnโ€™t take away any of the poignancy. No matter how much destruction and loss the world is filled with, thereโ€™s still beauty to be found!

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Natsuko and Lukeโ€™s plan works. They manage to convince Memmeln and her followers to not give up on life when they can still stan anime husbandoโ€™s. The bad news is that seeing them go off together briefly gave Unio the impression that Natsuko and Luke were dating. And Lukeโ€™s denial at the end only makes him even more suspicious.

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Who thinks Natsuko and Luke are going to date?

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Itโ€™s official: Zenshu is shipping Natsuko and Luke, which could be both good and bad. Good, because if it goes through and she gets some character development before waking up back in Japan, Natsuko would have the experience to finish that romance anime she was stuck on. Bad, because it could lead to the story ending far worse if something bad happens. That, and she and Luke would be separated if she went back home. It could go either way.

Clearly, Zenshu is playing the long game and trying to make us invested in how things will turn out, and it could go either way.

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I Give “Eternity” a 3.5/5