Everyone Digs Cyber Ninjas

Ninja Kamui Episode 6 Review

Okay, I wasn’t expecting that to happen. In the last episode of Ninja Kamui, Higan tries to fight through AUZA City but gets overwhelmed by the higher-ups of AUZA. Equipped with cyber ninja suits that would make Tony Stark drool, Higan proved no match for them. Thanks to one of them turning on the others, he managed to get out with his life. Meanwhile, Morris had his troubles to deal with. Not only did AUZA come close to killing him, but he discovered that his partner, Emma, might be working for them. As surprising as that might be, the truth was even crazier. As someone who likes to guess how things turn out in stories, this caught me off-guard. 

Firstly, though, a shout-out to Toonami for acknowledging the passing of Akira Toriyama. With Dragon Ball coming statewide in 1998, Toonami got smaller than it did. And thus, anime never would’ve gotten as big in the West as it is. It’s sweet how they chose to run a marathon for DBZ Kai in honor of his memory. That being said, it’ve been more appropriate for them to run the classic DBZ instead. I might not have grown up with it, but Aaron and Donte did, and it feels appropriate. That, and they could’ve made it a 24-hour marathon. 

They Were the One Helping Higan Out?!?

Cutting straight to the chase, the episode quickly reveals the identity of the person who saved Higan: Emma. “Emma” (not even her real name) is also a ninja working undercover in the FBI, but she’s chosen to help Higan. The reason is that she was friends with Mari and kept in touch even after she and Higan left the ninjas. She even tried to save the two and their son the night of the attack, but all she could do was use her ninja technique to fake Higan’s death and fool AUZA into thinking he could revive himself. And to top it all off, she was the one who helped him sneak into AUZA City. She played everyone!

It would’ve been easy for the show to have Emma be a traitor and one of Higan’s biggest obstacles in his quest for vengeance. Instead, Ninja Kamui opted for a far more exciting route by making her a mole for Higan. While her motives remain unclear, it’s safe to assume she’s on Higan’s side for now.

As for Agent Moriss’ side, though, that remains uncertain. The episode doesn’t focus as much on him, with the parts that are about and his hacker friend trying to figure out their next move. While I’m still worried about their safety, they might take a backseat while Higan continues his fight. This time, he’s got a new weapon to use.

We’re in Cyber Ninja Territory Now, People!

Enter the Gusoku suit, a cybernetic suit that enhances the wearer’s strength, speed, and durability to superhuman levels while also working with their ninja arts. It’s also how Higan can turn the tables on the enemy, with Emma getting the latest prototype: the Kamui. This suit can hook directly to Higan’s nervous system, allowing him to control it with his thoughts alone. With the human brain being an organic supercomputer capable of making conclusions in milliseconds, the Kamui has the potential to act on superhuman levels. In other words, when Higan puts it on, he will be strong enough to take down anyone. 

Ninjas are already cool enough on their own. However, seeing them fused with the concept of cybernetic armor like a ninja Iron Man, takes that up to eleven. The previous episode showed us what someone’s capable of doing with one of those suits, but it’s this episode that shows off its full potential. Emma’s fight with Lil combines the action of a ninja battle with the power of hacking straight out of Watch Dogs. It’s incredible to look at, though for a moment, it looks like Emma might not make it. But then Higan, through the memory of his wife, syncs with the suit faster than possible. And as the episode ends, Higan stands in the Kamui, ready to meet Lil on equal terms.

This episode finally gives meaning to the title of this anime, something that I hadn’t even considered beforehand. Now that we know it, though, it feels a little disappointing that we’re only getting this with the series reaching its halfway point. The first half was only a setup for the real action that’s to come. Hopefully, the second half of the series can meet the hype. I am optimistic about everything, though. After all, this series is being directed by the man who directed the first season of JuJutsu Kaisen. That has to count for something!

I Give “Episode 6” a 3.5/5

Sung HIM-Woo Continues his Black Air Force Campaign

Solo Leveling Ep 9 Review

Ever since I started (and finished) reading the Solo Leveling manwha, I’ve looked forward to seeing many moments. And most of them involve Jin-Woo making victims out of his opponents. He now radiates Black Air Force energy, and every time he takes down an enemy, it’s incredible. Seeing it go from being still images to being animated by people who worked on SAO and Jujutsu Kaisen is flat-out spectacular. And in this episode, we get to the next moment that I wanted to see in the anime. Sung Jin-Woo might call himself Sung HIM-Woo because he is HIM. 

Psycho Killer, Qu’est-ce que c’est?

The episode tries to start off by acting like nothing’s going to go wrong. This would be a simple dungeon dive for Jin-Woo and the other Double Dungeon survivors. But even if they didn’t read the manwha, savvy viewers should notice the red flags from the previous episode—the extended focus on Kim and his family. The prisoners joining them, and the shady meeting with that unknown person? Things get set up to be a disaster from the start. And they are.

Ripping the band-aid off, Kang Tae-Shik isn’t just working for the Hunter Association. He’s also an assassin. The father of a woman who was assaulted by those same prisoners and later killed herself hired him to kill them. And when Kim and the other Double Dungeon survivor stumble across him, he kills them both, too.

The red flags for Kim’s death were pretty obvious. The last episode focused on his family, and he talked about apologizing to Jin-Woo after this dive. So, his death shouldn’t be a surprise. It doesn’t make it any easier to watch, though. 

The story also makes it clear that, even if those prisoners deserve their fate, Tae-Shik doesn’t do this out of altruism. He just likes killing people, and this gives him the best excuse.

However, Tai-Shik makes one mistake: he tries to kill Jin-Woo, Jee-Hoo, and Sung in front of him. And we all know what that means.

Another Day, Another Victim

The fight between Jin-Woo and Tae-Shik is a foregone conclusion, but that doesn’t make it less exciting to watch. Sung makes a good effort before fighting him, but it isn’t until Jin-Woo steps up that the real boss battle begins. The animation is superb, but what cinches is the reactions that everyone else has to Jin-Woo. Sung and Jee-Hoo have trouble processing his Black Air Force energy. Tae-Shik, on the other hand, goes from being cocky as they come to looking ready to wet himself. And the absolute death glare that he gets from Jin-Woo. I could practically hear Jin-Woo thinking how worthless Tae-Shik was at that moment for trying to kill him. 

It should be noted that Jin-Woo only has the moral high ground here because he’s doing this to protect his comrades. Beyond that, though, he’s just like Tae-Shik. He has killed before, and will kill again. But unlike last time, where the System did force him to kill, he didn’t even need to be told that here. He didn’t care about it anymore. Anyone who stands against him is his enemy, and that means they’re liable to become victims. 

Sung Jin-Woo is HIM, indeed.

In the end, Mr. Sung covers for Jin-Woo by saying he killed Tai-Shik with Jee-Hoo’s help, so his secret is safe for a little longer. However, that doesn’t change the fact that the two other survivors of the Double Dungeon incident are dead. At this point, though, I don’t think Jin-Woo even cares anymore.

Thus, the episode ends with yet another example of Jin-Woo exercising his Black Air Force energy, and this will only be the start. The question is, though, is as he gets stronger, what’s to stop him from becoming detached from humanity altogether? We’ll just have to keep watching and find out. 

Also, it’s sweet that people think that this moment was a tribute to Toriyama, but that’s just a case of unfortunate timing. 

I Give “You’ve Been Hiding Your Skills” a 4.5/5

The Need to Be a Hunter

Solo Leveling Ep 8 Review

After the recap episode from last week, Solo Leveling is back. Sadly, anyone looking forward to more action will be disappointed with this episode. Instead, this episode takes it slower and focuses on the characters. To be more precise, it focuses on why people want to become Hunters. Yes, there’s the fact that it helps keep humanity safe from what’s lurking on the other side of the dungeons. As we’ve seen, though, people have their motivations for risking their lives as Hunters. The fame and wealth it brings, the power it gives them, or the thrill of living out a real life fantasy RPG. Everyone has their reasons. Sooner or later, though, they have to question if their reasons are worth it. 

Exhibit A: Jin-Woo Needs to Help his Family

The first and most obvious example is Sung Jin-Woo. Even before becoming a Player and leveling up, he kept risking his life in dungeons. All so he could provide himself and his sister with money. More importantly, though, in the hopes of finding a cure for his comatose mother. And thanks to his experience in that special dungeon, he now knows about the Elixir of Life. AKA, the Holy Grail of medicine, AKA something that can cure any illness. The bad news is that he still needs to be stronger to get far enough to get the components for it. And when you’re weak in a video game to do something, you either A.) keep trying and hope for a miracle, or B.) go on the grind until you get stronger. 

Jin-Woo goes with option B, which means returning and accepting Jin-Ho’s offer, but with stipulations! They’ll be the only ones doing the work. Jin-Ho can hire people to show up to meet the required number of party members. They do that until they’ve cleared enough for Jin-Ho to become a Guild Master. Jin-Ho happily agrees to his bro’s terms. 

The rest of the episode is mainly exposition and Hunters discussing their reasons for their jobs. And while it’s not as cool as the fights, I like it. The slower moments help reveal more about a character’s personality. 

Exhibit B: the Yoo Family Needs the Resources

One of the big draws of the dungeons is the resources they can provide people with; the kind of resources society has come to rely on to maintain itself. Thus, dungeon diving can be very lucrative, hence why the best Hunters and strongest guilds are celebrities. And as of now, five guilds are at the top of South Korea’s food chain. 

Jin-Ho’s father, though, hopes to establish his own guild for his construction company. That way, they can gather the resources themselves without having to pay a middle man. That way, they’ll stay successful. And while it wasn’t shown in the manwha, additional scenes show that Jin-Ho isn’t the only one of his brothers vying for the right to lead this potential guild. Another one reached out to an S-Rank Hunter and got show down.

Jin-Ho is a loyal man, and will follow Jin-Woo to the ends of the Earth for saving their lives. However, he’s still trying to vie for his Dad’s favor, which means using every advantage he’s got. That’s why he’s a Hunter, and why he’s betting it all on Jin-Woo. It’s a mutually beneficial friendship. 

Exhibit C: The Guild Masters Need to Prepare for the Worst

One of the more interesting moments of the episode involves a conversation between the guild masters of two of the strongest guilds in South Korea. The thing is, both of them were survivors from a dungeon-related incident on Jeju Island. The anime has yet to go into too much detail, but when dungeons started appearing, things got so bad that the Hunters had to retreat. For reference, I read ahead in the manwha, and it’s better than it’s implied. It’s worse. To that end, they need more people to become Hunters—strong Hunters who can be ready for the day when what’s lurking on Jeju Island breaks free. 

None of this is important to the story now, but it will be down the line. Thus, this is some good foreshadowing.

The Double Dungeon Survivors Reunite

It might surprise some people, but this episode also marks the return of the other people who survived the double dungeon incident that made Jin-Woo a Player. And each of them is shown to be scarred by the experience, either physically or mentally. It gets to the point where each of them questions whether they should keep being a Hunter altogether. However, Jin-Woo’s friend, Joo-Hee, is the most notable example, as she’s still traumatized by the whole experience. However, despite her mother wanting her to retire, Joo-Hee tries to keep being a Hunter. She doesn’t want to give up the financial independence it provides her, even if it’s dangerous.  

It seems like fate when all the survivors of the Double Dungeon incident reunite as part of an urgent dungeon dive the Hunters Association needs done. Seeing how they each react to Jin-Woo’s new look/continued survival says a lot about who they are. I especially like how Kim Sangshik, one of the people who abandoned the others to survive, can’t look at Jin-Woo without feeling guilty. 

This episode was a slow burn, but I did enjoy the anime-original scenes that it added in. They are doing a good job of fleshing out the supporting cast of the series. And while many of them aren’t important now, they will be in the future. For the moment, though, we get to see the Double Dungeon survivors, a group of convict Hunters, and that purple-haired guy dungeon dive. 

Prepare for bloodshed. People are going to die.

I Give “This is Frustrating” a 3.5/5

Higan Got His Butt Kicked by Robot Ninjas

Ninja Kamui Ep 5 Review

Everybody knows who Batman is. The Caped Crusader, the Dark Knight, the man who can seemingly best anyone simply because he’s Batman. But there’s more to him than being a memetic badass; he can beat almost anyone because he knows how to use prep time. When he goes in and fights someone that he knows little about, he can get his back broken by someone like Bane. Why bring up Batman in an anime about ninjas, though? Because this episode, Higan is Batman. And the other ninjas, and AUZA, are Bane. 

Batman, Meet Bane

Having come within inches of making it into AUZA City, Higan’s efforts prove to be for naught. Zai’s presence is enough to throw him off long enough for the barriers to go up. However, instead of the two former comrades fighting regardless, Zai merely tells him he’s going to die and then walks away. It’s a move meant to make Higan feel powerless and impotent so that he’ll make a mistake. And judging by the events that follow, it worked.

Rather than let him fester in anger or kill him, the leaders of AUZA decide to let him in their city to test out their technology. And despite knowing it’s a trap, Higan runs in anyway. However, instead of fighting more ninjas, he winds up fighting the execs who are remotely piloting the ninja equivalent of Iron Man armor.

The end result is like watching someone try and take on the boss fight when they’re far too under-leveled. It’s less of a fight by the end and more of a curb-stomp, like the anime equivalent to watching Bane break Batman’s spine. If Higan represents the old ways of being a ninja, and AUZA represents the future, then it looks like the old ways have gotten kicked to the curb. If it weren’t for a last-minute save, Higan would be dead. More on that later.

The FBI Has Turned on Us!

Meanwhile, Agent Morris pursues his own leads into AUZA City, leading him to track down Jason, a former AUZA employee turned hacker trying to blow the whistle on them. Together, the two do manage to hack into the company’s servers and starts to uncover some of what they have been doing. To be more precise, they find a list of fake IDs that they’re using to plant agents as. And one of them happens to be…Emma Samanda?

The show doesn’t give us, or Moriss and Jason, time to understand what’s going on. AUZA security arrives and attempts to kill them in an epic car chase. If that was the show’s way of distracting us, then it worked. Car chases have long been a favorite of mine in action shows. In addition, the fact that it ends with both men dragging themselves away from the wreck brings their ultimate fates into question. They’ll likely make it out fine, but how long will they be able to survive with AUZA after them.

There’s also the fact that Emma’s name is on that list. The possibility that she’s an agent of AUZA has just jumped up significantly. The fact that AUZA responded so fast to the hack also doesn’t bode well. Emma will need to have a good explanation next time she appears.

Really Looking to See What Comes Next

This episode was clearly meant to leave the audience with more questions than answers. Higan and Morris have been badly wounded and are on the run. And if things had gone a little bit differently, they would be dead at this point. Worse, Emma may no longer be trustworthy, only making things worse. The fact that the anime forgoes the normal outro in of black credits only hammers home how serious the episode is. Anime don’t skip out on the ED unless it’s serious! With the series reaching the halfway mark next episode, I’m curious to see how Higan and Morris will come back from this. Hopefully, they’ll manage to regroup and plan something, like Batman would. 

Also, this episode is out in full on YouTube. If you want to watch it without waiting for Toonami or don’t have Max, watch it there. 

I Give “Episode 5” a 5/5

A Warrior’s Life is a Lonely One

Ninja Kamui Ep 4 Review

I can’t speak from personal experience, but it seems like working in a profession that involves violence can be hard on one’s loved ones. From those in the military to those working in law enforcement, there’s always the worry that you or your loved one might not come home one night. Some people make peace with that in their way, but others aren’t able to. And as this episode reveals, both Higan and Moriss have this in common.

Tragic Backstory Time

The episode picks up where things left off, with Higan getting a call from an unknown person. The only hints as to their identity are that they know Higan’s a ninja, and they know a poem only other ninjas know. However, that takes a backseat when it segues into some of Agent Moriss’ backstory. As it turns out, the man once had a wife and daughter, and they loved each other very much. Then Moriss started putting his job first, which meant that he was late getting the news that a sleeping driver killed his daughter. As a result, his wife couldn’t take him from being there anymore, and they presumably went their separate ways.

This moment does a lot to show why Moriss is so devoted to his job, even to his detriment. Losing his daughter, who looked up to him as her hero, took a significant toll on him, to the point where he kept a drawing she made on him at all times. He’s doing all of this to avoid his grief and to atone for his failure to be there for his family, similar to what Higan went through in the first episode. 

As the episode continues, we get another flashback, this time to the life of Higan, his future wife, Mari, and their comrade, Zai, in their lives as ninjas. Besides swearing to uphold a code of never betraying their clan or revealing the secret technique they each get, they also swore to detach themselves from everyone, even their comrades. However, Higan fell in love with Mari, and the two broke the code. It’s a nice contrast to Agent Moriss and how he chose his role as an FBI Agent at the cost of his family. When you look at it like that, he and Higan are like two sides of the same coin. Both are skilled and driven, but one chose his job over his family, while the other chose his family over his job. Yet both ended up having tragic outcomes. Maybe they were meant to become allies.

Infiltration of AUZA City

While this episode shows us more of AUZA’s inner circle (who are as eccentric as that of Shinra’s board of directors), the person who stands out the most is Zai. We get a glimpse of how cold and ruthless he is when he kills his former swordmaster, but there’s more to it. The flashback reveals they swore oaths of loyalty to each other over cups of sake. In Japanese culture, exchanging sake cups is considered a way to foster loyalty and celebrate significant milestones. So, it’s likely that when Higan and Mari left the clan, Zai took that as a personal betrayal.

Now, Higan’s actions have cost him Mari and their son. And the only way to bring down his former comrades is to get inside AUZA City.

Higan’s infiltration of AUZA City reminds me of the most challenging stealth missions in games like Assassin’s Creed, made even more complicated when he can’t kill anyone without tipping off the guards. That doesn’t matter in the end, though. Right as he’s about to get into the city, Zai’s there to stop him. And the episode ends at that.

If we want to see what happens next, we must wait a week. But when the time comes, Higan will have to run a gauntlet of foes. Even more ninja battles are coming!!

I Give “Episode 4” a 3/5

Did I say Abstergo? I Should’ve Added in Shinra!

Ninja Kamui Episode 3 Review

Ninjas, as the popular imagination came to know them, are said to have first appeared in Feudal Japan. They served as spies, saboteurs, and assassins, either for their feudal lords or as mercenaries for hire. And while it’s doubtful that any of them could walk on water or create shadow clones, plenty of fictional works depict them as capable of such. Now imagine what it would be like if modern-day ninjas existed and relied on the most advanced technology, and you have the premise of Ninja Kamui. A fusion of the ancient and modern-day, serving their lord’s interests. It just so happens that said lords are also a global megacorporation in the vein of Abstergo Industries and the Shinra Electric Power Company. 

This is the group that Higan is going up against, and they are everywhere.

A Bunch of Crazy Ninjas

The episode opens up in bloody fashion as we see Lil, a foul-mouthed ninja from Higan’s former clan, assassinating a man. Afterward, he clarifies how turned on he gets by his violence, acting like Deadpool if it wasn’t as funny or spouting out pop culture. He’s essentially the antithesis of Higan and someone who has little to no respect for what ninjas are likely supposed to be like. And if he and the man who killed Higan’s family are the norm under AUZA, it’s not hard to see why Higan and many others left. The whole group might be corrupt now.

Corrupt or not, a ninja’s still a ninja, which means they’re dangerous. That’s best shown when another ninja, Zai, takes down his former mentor, who had left like Higan. The mentor tried to slice Zai up with blades made out of air, and the man impaled him without the former realizing. That’s scary! At least they can be punched or stabbed, though. AUZA, as a corporation, can’t, and that’s what makes their influence so scary.

Abstergo Fused with Shinra

The previous episode clarified that AUZA has enough pull in the authorities to cover up their attempts to kill Higan. In this episode, Agent Moriss is frustrated when the FBI claims the attack at the restaurant was part of some gang war. The audience doesn’t buy it, and neither does Moriss. Despite the subtle warning from his former partner to let it go, Moriss’ sense of justice won’t let him. In true Jim Gordon fashion, he chooses to keep looking. And thanks to his temporary alliance with Higan and the technical know-how of Emma Samanda, he and the audience learn how much power AUZA has. 

As a side note, Samanda is starting to grow on me as a character. It helps that she’s voiced by Lucy Christian, the dub voice of Nami from One Piece and Uraraka from My Hero Academia. However, Samanda is tech-savvy enough to turn her car into a mobile computer. Her being a redhead makes her feel like an Expy of Barbara Gordon. 

AUZA City, Here We Come!

Thanks to some exposition from Samanda, the show confirms what we already knew: AUZA is the show’s equivalent to Abstergo, though their motives are more in line with Shinra from FF7. They’re motivated by greed and the desire to expand their influence, and, presumably, thanks to the ninjas, they’re on the verge of controlling the world from the shadows. To further the comparisons to Shinra, they even have their own private city, AUZA City! 

Much like Shinra, though, it seems that not everyone in AUZA is on the same page. A meeting between an AUZA higher-up and the head of the ninja clan, Yamaji, has the latter chew the former out for what happened at the restaurant. They’re working together, but Yamaji hates it as much as Higan did. 

This episode was primarily focused on exposition, but when it got to the action, it cooked. After another ninja comes after Higan, we get another epic fight complete with the same kind of rap insert song we got from episode 2. So, it’s pretty epic.

Once the fight is over, it’s clear that Higan needs to head to AUZA City. The problem is that it’s impossible, even for someone like him, to get in there without getting caught. However, he seems to get a lucky break when he gets a call from an anonymous person that knows his name. We have no idea who they might be, but I’m looking forward to finding out. Plus, I want to see what AUZA’s equivalent to Midgar looks like. 

This is getting interesting!

I Give “Episode 3” a 4/5

The Demon Slayers are About to Have a Training Arc

Demon Slayer: Kimetsu no Yaiba-To the Hashira Training Review

In 2023, Demon Slayer: Kimetsu no Yaiba released a new movie to drum up hype for the upcoming Swordsmith Village Arc. It wasn’t so much a new story, though, as it was a compilation. It mainly covered the end of the Entertainment District Arc, which had some award-worthy animation, before segueing into the first episode of the upcoming arc. Having missed out on that, I resolved to avoid making the same mistake this time. So I got tickets for the opening night of the following compilation film, To the Hashira Training. And, even though it meant having to rewatch the finale to the Swordsmith Village Arc, it was still worth seeing. 

The Calm Before the Storm

If you last saw it a while ago or never read my review, the first half of the compilation film is a good refresher. Tanjiro slew Hantengu of the Upper-Rank Four, and, in a tearjerker of a miracle, Nezuko gained the ability to survive in the sun. The bad news? Before he died, Hantengu told Muzan about Nezuko, making her his top priority. If he devours her, he’ll become immune to the sun, making him nigh-unstoppable. The final battle is upon them, and everyone in the Demon Slayer Corps knows it. 

The preview the film gives us of the first episode of season four starts with the Hashiras Sanemi (the scarred guy who stabbed Nezuko) and Obanai (the one with the snake) going on a mission to rescue a woman from Demons. What ends up happening is they get a glimpse of Muzan’s stronghold before getting thrown out. 

For those who hoped the season four opener would have some fantastic action, the opening is as good as it gets. The rest of the episode, as will the entire arc, is merely the calm before the storm. The remaining Hashira point this out when they convene at the Ubuyashiki Mansion, saying how Demon attacks have gone down. They know Muzan’s readying his forces to capture Nezuko, making a full-scale war inevitable. And with Rengoku dead and Tengen forced to retire, they’re short on manpower. 

To highlight the sense of urgency even further, the leader of the Demon Slayers, Kagaya, is dying. The sickness that’s rotting his flesh and rendered him blind has progressed to the point where he’s bedridden. This means it’s up to the Hashira to prepare for the final battle. And, since this is a Shonen anime, there’s only one solution: an anime training arc. 

Time to Train!

The Hashira (except for Giyu) decide they need to train not just themselves but the entire Demon Slayer Corps. So, they gathered all the lower-ranked members and organized a massive boot camp to toughen them up. The end goal is to get the lower-ranked members closer to their level, giving them a better chance of winning the war that’s to come. And while we only see the start of things, it looks like it will be brutal. 

The program has another purpose, though. With Tokito and Mitsuri getting the same marks as Tanjiro, which gives him superpowers, the other Hashira wants to do the same. It may be the deciding factor in the final battle. However, all they know is that they can only come out when under extreme conditions that could kill them, and they come in contact with someone who already has the Mark. There’s more to it, though. Manga readers will know it, but the anime doesn’t state to increase the tension. From the looks of things, though, the Mark has some serious downsides. 

The Hashira Training Arc is Coming!

Serious topics aside, the episode has plenty of funny moments to lighten the mood. The funniest, by far, revolves around Nezuko’s attempts to relearn how to talk. When Zenitsu returns and sees her walking in the sunlight, he gets lovestruck and asks her to marry him. Until that is, she calls him Inosuke. The latter insisted Nezuko get to know her name, much to Zenitsu’s annoyance. And my amusement.

The episode/film ends with Tanjiro preparing to join the training. More importantly, though, Ms. Tamayo, who’s been working on a cure for Demons, gets summoned by Kagaya to collaborate with one of the Hashira—progress at last.

How long will the anime’s fourth season be last? It may only cover the Hashira Training Arc, making it shorter than previous seasons. And, as much as I want to get to the final battle, splitting it up would make the pacing easier. Either way, I’m going to enjoy this.

I Give “To the Hashira Training” a 4/5

Netflix ‘Avatar’ a Success or Failure? Honestly, In the Middle.

Netflix’s Avatar: The Last Airbender Season One Review

November 2004: I, a ten-year-old, saw The Spongebob Squarepants Movie with my family. That’s when I saw a trailer for this new, anime-inspired series coming to Nickelodeon called Avatar: The Last Airbender. Three months later, I was watching the series premiere on TV with my sister, and I knew it was special. It was unlike any Western cartoon I had ever seen. And, while I didn’t realize it then, it would be one of the most important shows of my life. 

Calling myself an Avatar: The Last Airbender fan would be an understatement. I’ve seen most of the episodes, read the comics, and spent the money on autographs from most of the main cast. My most prized possession, which I have since had to replace, was a dog tag necklace featuring the main character. It’s also why, like most, I loathe Shamylan’s crime against cinema that tried adapting it. So, I was skeptical when I heard that Netflix would be making a live-action adaptation. This is more so when the series creators bailed on it in 2020. Then we got the live-action One Piece last year, which turned out alright. Maybe the remake wouldn’t be so bad. So, was Netflix’s Avatar capable of living up to its legendary source? Was it any good?

Meh. I’ve seen worse.

A Different Version of Avatar

Much like One Piece, the Netflix adaptation isn’t a shot-for-shot retelling of Avatar. The first episode clarifies that by devoting its first twenty minutes to a prologue. Said prologue retells the night that Aang became frozen in an iceberg and shows the opening salvages of the Hundred Year War. That includes the genocide of the Airbenders, something the show never did due to how dark it was. 

It’s a reasonable effort, but right away, we start to see some of the drawbacks of live-action. The bending here feels underwhelming after seeing what firebenders can do with their comet-powered hacks. The spirit is there, and the horror of the events rivals Order 66 in Star Wars. But after almost twenty years of imagining it, the whole thing doesn’t measure up. 

That opening sequence indicated just what this remake would be like: it tries so hard to measure up to how excellent the original is. And while it does succeed in some places, it fails in others.

Acting All over the Place

For example, the acting was all over the place regarding quality. Some did great, like Gordon Cormier as Aang and Dallas Liu as Zuko. Others didn’t do so well like the ones playing Katara and Azula could have done better. They were trying, and I’m willing to bet it’s because of bad writing, but they didn’t quite capture the essence of their characters. Katara had the compassion but little of the fiery nature that Mae Whitman gave her. And Azula? She was ruthless and manipulative, but without Grey DeLisle, she lacked the psycho girl edge that made everyone fear her. And plenty of the supporting cast suffered similar problems. I cringed hearing Katara and Sokka’s Gran-Gran recite the opening lines to the original series! She was no Mae Whitman!

Even the characters that I did end up liking had their issues. The show was trying too hard to act more adult, and it downplayed some character traits. For example, despite saying he’s a fun-loving kid, Aang here spends much more time feeling bad about what happened to his people. It takes away a lot of what made him lovable in the original! 

No Excuse to Make Shorter Episodes

Furthermore, there are issues with the pacing and how they condensed many things from the original series for the live-action version. That meant some stories got abridged or outright didn’t happen. That could work with One Piece because they had dozens of episodes to cover in a fraction of the time. But here? The first season of OG Avatar and this series clock in around the same run time. They could do the same amount of stuff as the original series if they didn’t insist on sticking to the hour-long format.

So, either Netflix or the people who made the series wanted to stick to the Game of Thrones, hour-long format. Or they didn’t want to risk the extra money. Either way, no excuse. But, at least, they kept the Cabbage Merchant.

No matter what universe he’s in, the Cabbage Merchant suffers

They Did Improve Some Things

In all fairness, this is not the worst we could’ve gotten. The fans have already seen the worst in the form of Shmyalan’s hot garbage. At least the show makes an effort to capture the spirit of the original series, and there are plenty of callbacks and references to the original—enough to have a drinking game. The show improves on a few things from the show, as impossible as it sounds. 

Exhibit A: Iroh reveals to Zuko’s crew why they got stuck with him on his hunt for the Avatar. They’re part of the division that would’ve been sacrificed in a suicide mission had Zuko not spoken up on their behalf. That’s a nice touch that endears him even more to fans and his crew. And honestly, I’m hoping they come back in season two because that was an issue I had with the OG. 

Exhibit B: at the funeral for his son, which the OG never showed, Iroh spends the whole time hearing people insult him as a coward or saying Lu Ten died a hero. Zuko is the only one who shows him sympathy and compassion, telling him about the time Lu Ten encouraged him with his studies. They added a soft rendition of “Leaves From the Vine,” and I couldn’t help thinking of Iroh’s late voice actor, Mako. Chef’s kiss!

Exhibit C: when Aang goes to the Spirit World for the first time, he meets his mentor and father figure, Monk Gyatso. Gyatso chose not to move on or reincarnate until he could see Aang again. In doing so, Aang apologizes for running away and not being there, something OG Aang never got to do. And Gyatso? He tells Aang what he deserves to know: that the War wasn’t his fault and that he would’ve died with everyone else had he stayed. It’s an incredibly cathartic moment for both Aang and long-time fans. 

At Least it wasn’t Bad as the Movie

So, as a whole, the Netflix series meets different heights than the animated series. Though that may be impossible, to begin with. A: TLA is one of the greatest shows ever, as close to perfect as possible. Anything trying to adapt it would face a lot of scrutiny, especially since the fans had already gotten hurt once before.

Don’t get me wrong: the original series is the best. However, what Netflix managed to do was still pretty impressive. It makes me love Avatar even more because we remember how good it is. Also, the show’s still way better than that horrible film. I consider that a win.

I Give the First Season a 3/5

Toriyama, Thank You for Everything

A Fan’s Reaction to the Passing of Akira Toriyama

Hey, everyone. RJ Writing Ink here, writing on behalf of the D&A Anime Blog. Aaron and I aren’t in the best state of mind right now. You likely know this by now, but late March 7th, it was announced online that Akira Toriyama, the legendary creator of Dragon Ball and dozens of other works, had passed away more than a week ago. Aaron was the one who wound up telling me on Discord. And my reaction was one of shock and great sadness.

Over the next few hours, I watched the Internet cry out sorrowfully, including Aaron and me. So many people, fans, content creators, and those whom Toriyama inspired to do what they love for a living, all mourning the loss of the legendary mangaka. As for me, at Aaron’s behest, I wrote a post for this blog breaking the news for ourselves. It didn’t feel right not to say anything about Toriyama, especially since Aaron told me it was why he and Donte started this blog. Afterward, I went to bed and tried to sleep as best I could. But as I drifted off to sleep, still trying to process the death of the great mangaka, a realization came to me. While I had seen plenty of people, both idols and loved ones, die before, there was a reason why Toriyama’s passing hit me and everyone so hard. And it was more than the fact that he died at only sixty-eight years old. Truthfully, even if he died twenty years old, it still would have felt too soon.

My reason was that the culture we know today might not have existed without Akira Toriyama and what he created.

The Great Tree of Toriyama

Imagine what Akira Toriyama did when he created Dragon Ball forty years ago, like planting a tree in the middle of a field. He would then spend the next eleven years returning to it once a week to tend to it as it grew big and strong. Its trunk would start to reach for the heavens, its roots would burrow deep into the soil underneath, and its branches would become solid and sturdy. Eventually, it grew big enough to create seeds, and others would come and take them to grow their trees. Flash forward to the present day, and the original tree he planted will get big enough to tower in the skies, while the younger trees will grow just as big and potentially just as strong. If all goes well, then that field could become a forest generations down the line. But the man who planted the first tree would never live to see that. He would have to trust those who followed him to continue his work and make something unique out of it.

If you need clarification on this metaphor, then here’s the meaning. The tree itself is what Toriyama did throughout his entire career, with Dragon Ball primarily serving as the trunk. The branches represent everything that sprang forth from the popularity of the original manga: the anime, movies, video games, products, fan-made content, and all the people who found happiness, success, and more thanks to Dragon Ball. The roots are how the franchise has made its way into global culture. The younger trees represent the people who were inspired by reading Toriyama’s work to become mangaka themselves, giving us even more hit Shonen series like Naruto, One PieceBleachFairy Tail, and likely many more. When you put all of that together, the result should be clear. What Akira Toriyama managed to do was create something that managed to incorporate itself into human culture worldwide. Something that has come to unite people from all walks of life over their shared love of this man’s work. No matter how you look at it, that’s impressive.

Now imagine what life would be like if he had never made Dragon Ball or if it had never become as popular as it is. Suddenly, you might get a world where anime has never become more than a niche interest outside Japan. Where many of the series that you love reading never existed. The people whose lives Dragon Ball changed for the better never got that chance. Bonds that started thanks to that shared love never came about, people who never turned that love into their careers, and more. It would be like the alternate timeline from It’s a Wonderful Life, in which George Bailey was never born, and Toriyama is Bailey.

Toriyama’s Legacy Lives On

Toriyama may be gone now, but his legacy lives on, and it’s more than just Dragon BallDr. SlumpDragon Quest, or whatever else he helped create. It’s the millions of people worldwide whose lives he changed, often for the better. The mangaka like Masashi Kishimoto and Eichiro Oda. The people who got to work on his series, both in Japan and abroad. The people who can make a living doing fanworks of Dragon Ball like TeamFourStar, DevilArtemis, Daitomodachi, and more. Even fans like me and Aaron. We’re all part of the legacy that Akira Toriyama left behind, and it’s mind-boggling when you put that into perspective. How many people throughout history can say they’ve affected so many people in such a positive manner? Not many.

Am I sad? Yes. I hate that Toriyama died so soon. But Dragon Ball can live on. If we want to do right by Toriyama, we need to ensure that people can continue to enjoy Dragon Ball for generations to come. I know that we’re all mourning for his passing, but no one is genuinely gone, so the world continues to remember him. And with the impact that Toriyama had on the world? I don’t think he’s going to be forgotten for a long, long time.

Sayonara, Toriyama! World Mourns Death of Shonen Legend

Legendary Mangaka Akira Toriyama, Creator of Dr. SlumpDragon Ball, and modern Shonen, dead at 68

To anyone who grew up watching Dragon Ball Z, you’re going to want to get your tissues ready; you’ll need them. Akira Toriyama, the legendary mangaka that gave the world Dr Slump, the art for Dragon Quest, and most important of all, Dragon Ball, has died at the age of 68. And the entire world of anime is in mourning.

Akira Toriyama Made Shonen What it is Today

For those of you who don’t know who he was, Akira Toriyama is, for all intents and purposes, the godfather of the modern Shonen anime. Entering the world of manga at the age of twenty-three, Toriyama first made a name for himself as the creator of the popular gag manga, Dr. Slump. Running from 1980 to 1984, it proved to be a major hit. However, it wasn’t until 1984 when the man truly began the work that would cement his status as one of the greatest mangaka of all time: Dragon Ball. Inspired by the Chinese novel Journey to the WestDragon Ball would wind up becoming one of the most important works in manga history. 

Spawning a media juggernaut that has continued to thrive to this day, Dragon Ball has multiple anime series, dozens of movies, and so many video game adaptations that I can’t even keep track of it. It’s no exaggeration to say that without Dragon Ball, the shonen genre of anime and manga as we know it today wouldn’t exist. By the time it had ended its initial run, Dragon Ball had already sewn the seeds for the shonen genre to thrive. It inspired the next generation of mangaka to create the likes of Naruto, Bleach, and One Piece, the last of which is the best-selling manga of all time. And none of that would be possible without Dragon Ball or Toriyama. 

And then there’s the impact that Toriyama’s creation has had on pop culture. When anime started to make its way to the West in the 90s and early 2000s, Dragon Ball was one of the series that paved the way. It was the gateway anime for countless kids the world over, and the love that it engendered can be found in the all the fan-based content it’s inspired. TeamFourStar, KishinPain, DevilArtemis, Daitomodachi, Slick Goku (RIP), Prince Vegeta. These are only a handful of the people I know of who have made amazing works based on the characters that Toriyama created. And there will likely be even more content coming out in the years to come. Sadly, fans will now have to live with the fact that the man who gave it all to us has departed for the Otherworld.

Toriyama’s Legacy Will Live On

While Toriyama may no longer be with us, he still left us with a few stories left to be told. Less than a month from now, Sand Land, a game adapting another one of Toriyama’s many works, will be released. In addition, Dragon Ball Daima, a spin-off/sequel to Dragon Ball that Toriyama was heavily involved in, will be releasing sometime in Fall 2024. Not much is known about it, but it seems like Daima will be returning Dragon Ball to its roots. However, the fact that it is likely the final project that Toriyama worked on before his death means its premiere will be a bittersweet one for fans.

I’ll be upfront about this: I didn’t grow up watching Dragon Ball on Toonami like a lot of anime fans did. I knew about it, but I didn’t get into it until I was in high school. Once I had, though, I regretted not trying it out sooner. These days, I’m a full-on fan of Dragon Ball. And while I may lack the nostalgia of watching it air on TV, I know how much it means to fans. And more importantly, I understand how much Toriyama’s death is hitting fan. I follow a ton of people who make Dragon Ball-related content, and right now, they’re pouring their hearts out online. Rest in Peace, Toriyama. May you join all the other great storytellers in human history as you deserve.